51(y)(7)
用你喜欢的方式阅读你喜欢的小说
巴黎圣母院英文版 - BOOK ELEVENTH CHAPTER I.THE LITTLE SHOE. Page 4
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  The recluse had gone and seated herself by her daughter, covering her with her body, in front of her, with staring eyes, listening to the poor child, who did not stir, but who kept murmuring in a low voice, these words only, "phoebus! phoebus!"In proportion as the work of the demolishers seemed to advance, the mother mechanically retreated, and pressed the young girl closer and closer to the wall.All at once, the recluse beheld the stone (for she was standing guard and never took her eyes from it), move, and she heard Tristan's voice encouraging the workers.Then she aroused from the depression into which she had fallen during the last few moments, cried out, and as she spoke, her voice now rent the ear like a saw, then stammered as though all kind of maledictions were pressing to her lips to burst forth at once."Ho! ho! ho!Why this is terrible!You are ruffians! Are you really going to take my daughter?Oh! the cowards! Oh! the hangman lackeys! the wretched, blackguard assassins! Help! help! fire!Will they take my child from me like this?Who is it then who is called the good God?"Then, addressing Tristan, foaming at the mouth, with wild eyes, all bristling and on all fours like a female panther,--"Draw near and take my daughter!Do not you understand that this woman tells you that she is my daughter?Do you know what it is to have a child?Eh! lynx, have you never lain with your female? have you never had a cub? and if you have little ones, when they howl have you nothing in your vitals that moves?""Throw down the stone," said Tristan; "it no longer holds."The crowbars raised the heavy course.It was, as we have said, the mother's last bulwark.She threw herself upon it, she tried to hold it back; she scratched the stone with her nails, but the massive block, set in movement by six men, escaped her and glided gently to the ground along the iron levers.The mother, perceiving an entrance effected, fell down in front of the opening, barricading the breach with her body, beating the pavement with her head, and shrieking with a voice rendered so hoarse by fatigue that it was hardly audible,--"Help! fire! fire!""Now take the wench," said Tristan, still impassive.The mother gazed at the soldiers in such formidable fashion that they were more inclined to retreat than to advance."Come, now," repeated the provost."Here you, Rennet Cousin!"No one took a step.The provost swore,--"~Tête de Christ~! my men of war! afraid of a woman!""Monseigneur," said Rennet, "do you call that a woman?""She has the mane of a lion," said another."Come!" repeated the provost, "the gap is wide enough. Enter three abreast, as at the breach of pontoise.Let us make an end of it, death of Mahom!I will make two pieces of the first man who draws back!"placed between the provost and the mother, both threatening, the soldiers hesitated for a moment, then took their resolution, and advanced towards the Rat-Hole.When the recluse saw this, she rose abruptly on her knees, flung aside her hair from her face, then let her thin flayed hands fall by her side.Then great tears fell, one by one, from her eyes; they flowed down her cheeks through a furrow, like a torrent through a bed which it has hollowed for itself.At the same time she began to speak, but in a voice so supplicating, so gentle, so submissive, so heartrending, that more than one old convict-warder around Tristan who must have devoured human flesh wiped his eyes."Messeigneurs! messieurs the sergeants, one word.There is one thing which I must say to you.She is my daughter, do you see?my dear little daughter whom I had lost! Listen.It is quite a history.Consider that I knew the sergeants very well.They were always good to me in the days when the little boys threw stones at me, because I led a life of pleasure.Do you see?You will leave me my child when you know!I was a poor woman of the town.It was the Bohemians who stole her from me.And I kept her shoe for fifteen years.Stay, here it is.That was the kind of foot which she had.At Reims!La Chantefleurie!Rue Folle- peine!perchance, you knew about that.It was I.In your youth, then, there was a merry time, when one passed good hours.You will take pity on me, will you not, gentlemen? The gypsies stole her from me; they hid her from me for fifteen years.I thought her dead.Fancy, my good friends, believed her to be dead.I have passed fifteen years here in this cellar, without a fire in winter.It is hard.The poor, dear little shoe!I have cried so much that the good God has heard me.This night he has given my daughter back to me. It is a miracle of the good God.She was not dead.You will not take her from me, I am sure.If it were myself, I would say nothing; but she, a child of sixteen!Leave her time to see the sun!What has she done to you? nothing at all.Nor have I.If you did but know that she is all I have, that I am old, that she is a blessing which the Holy Virgin has sent to me!And then, you are all so good! You did not know that she was my daughter; but now you do know it.Oh!I love her!Monsieur, the grand provost. I would prefer a stab in my own vitals to a scratch on her finger!You have the air of such a good lord!What I have told you explains the matter, does it not?Oh! if you have had a mother, monsiegneur! you are the captain, leave me my child!Consider that I pray you on my knees, as one prays to Jesus Christ!I ask nothing of any one; I am from Reims, gentlemen; I own a little field inherited from my uncle, Mahiet pradon.I am no beggar.I wish nothing, but I do want my child! oh!I want to keep my child!The good God, who is the master, has not given her back to me for nothing!The king! you say the king!It would not cause him much pleasure to have my little daughter killed! And then, the king is good! she is my daughter! she is my own daughter!She belongs not to the king! she is not yours!I want to go away! we want to go away! and when two women pass, one a mother and the other a daughter, one lets them go!Let us pass! we belong in Reims.Oh! you are very good, messieurs the sergeants, I love you all.You will not take my dear little one, it is impossible!It is utterly impossible, is it not?My child, my child!"We will not try to give an idea of her gestures, her tone, of the tears which she swallowed as she spoke, of the hands which she clasped and then wrung, of the heart-breaking smiles, of the swimming glances, of the groans, the sighs, the miserable and affecting cries which she mingled with her disordered, wild, and incoherent words.When she became silent Tristan l'Hermite frowned, but it was to conceal a tear which welled up in his tiger's eye.He conquered this weakness, however, and said in a curt tone,--"The king wills it."Then he bent down to the ear of Rennet Cousin, and said to him in a very low tone,--"Make an end of it quickly!" possibly, the redoubtable provost felt his heart also failing him.The executioner and the sergeants entered the cell.The mother offered no resistance, only she dragged herself towards her daughter and threw herself bodily upon her. The gypsy beheld the soldiers approach.The horror of death reanimated her,--"Mother!" she shrieked, in a tone of indescribable distress, "Mother! they are coming! defend me!""Yes, my love, I am defending you!" replied the mother, in a dying voice; and clasping her closely in her arms, she covered her with kisses.The two lying thus on the earth, the mother upon the daughter, presented a spectacle worthy of pity.Rennet Cousin grasped the young girl by the middle of her body, beneath her beautiful shoulders.When she felt that hand, she cried, "Heuh!" and fainted.The executioner who was shedding large tears upon her, drop by drop, was about to bear her away in his arms.He tried to detach the mother, who had, so to speak, knotted her hands around her daughter's waist; but she clung so strongly to her child, that it was impossible to separate them.Then Rennet Cousin dragged the young girl outside the cell, and the mother after her.The mother's eyes were also closed.At that moment, the sun rose, and there was already on the place a fairly numerous assembly of people who looked on from a distance at what was being thus dragged along the pavement to the gibbet.For that was provost Tristan's way at executions.He had a passion for preventing the approach of the curious.There was no one at the windows.Only at a distance, at the summit of that one of the towers of Notre-Dame which commands the Grève, two men outlined in black against the light morning sky, and who seemed to be looking on, were visible.Rennet Cousin paused at the foot of the fatal ladder, with that which he was dragging, and, barely breathing, with so much pity did the thing inspire him, he passed the rope around the lovely neck of the young girl.The unfortunate child felt the horrible touch of the hemp.She raised her eyelids, and saw the fleshless arm of the stone gallows extended above her head.Then she shook herself and shrieked in a loud and heartrending voice: "No! no!I will not!" Her mother, whose head was buried and concealed in her daughter's garments, said not a word; only her whole body could be seen to quiver, and she was heard to redouble her kisses on her child.The executioner took advantage of this moment to hastily loose the arms with which she clasped the condemned girl.Either through exhaustion or despair, she let him have his way.Then he took the young girl on his shoulder, from which the charming creature hung, gracefully bent over his large head.Then he set his foot on the ladder in order to ascend.At that moment, the mother who was crouching on the pavement, opened her eyes wide.Without uttering a cry, she raised herself erect with a terrible expression; then she flung herself upon the hand of the executioner, like a beast on its prey, and bit it.It was done like a flash of lightning.The headsman howled with pain.Those near by rushed up. With difficulty they withdrew his bleeding hand from the mother's teeth.She preserved a profound silence.They thrust her back with much brutality, and noticed that her head fell heavily on the pavement.They raised her, she fell back again.She was dead.The executioner, who had not loosed his hold on the young girl, began to ascend the ladder once more.
或许您还会喜欢:
肖申克的救赎
作者:佚名
章节:37 人气:2
摘要:肖申克的救赎献给拉斯和弗洛伦斯·多尔我猜美国每个州立监狱和联邦监狱里,都有像我这样的一号人物,不论什么东西,我都能为你弄到手。无论是高级香烟或大麻(如果你偏好此道的话),或弄瓶白兰地来庆祝儿子或女儿高中毕业,总之差不多任何东西……我的意思是说,只要在合理范围内,我是有求必应;可是很多情况不一定都合情合理的。我刚满二十岁就来到肖申克监狱。 [点击阅读]
蝴蝶梦
作者:佚名
章节:39 人气:2
摘要:影片从梦中的女主人公---第一人称的'我'回忆往事开始。夜里,我又梦回曼陀丽。面对这堆被焚的中世纪建筑废墟,我又想起很多过去……那是从法国开始的。做为'陪伴'的我随范霍夫太太来到蒙特卡洛。一天,在海边我看到一个在陡崖边徘徊的男子。我以为他要投海,就叫出了声。他向我投来愤怒的一瞥。我知道我想错了,他可真是一个怪人。很巧,他竟同我们住在同一个饭店里。 [点击阅读]
请你帮我杀了她
作者:佚名
章节:75 人气:2
摘要:你知道吗,大夫,你并不是我回来以后看过的第一个心理医生。我刚回来的时候,我的家庭医生就给我推荐了一位。那人可不怎么样,他假装不知道我是谁,这也太假了——你要不知道我是谁,除非你又聋又瞎。每次我走在路上,转个身,似乎都会有拿着照相机的白痴从路边的灌木丛中跳出来。但在这一切倒霉事情发生之前呢?很多人从来都没有听说过温哥华岛,更不用说克莱顿瀑布区了。 [点击阅读]
道德情操论
作者:佚名
章节:58 人气:2
摘要:自从很久以前即1759年初《道德情操论》第一版问世以来,我想到了其中可作的一些修改,以及有关该学说的种种很好的说明。但是,我一生中的种种偶然事件必然使我全神贯注于各种工作,直到现在都妨碍我常想以小心谨慎和专心致志的态度进行的修订这一著作的工作。读者将在这一新版中,在第一卷第三篇的最末一章中,以及在第三卷第四篇的第一章中,看到我已作出的主要改动。第六卷,正如它在新版中呈现的那样,完全是新写的。 [点击阅读]
伦敦桥
作者:佚名
章节:124 人气:2
摘要:杰弗里。谢弗上校很喜欢他在萨尔瓦多的新生活。有人说这个巴西第三大城市非常迷人。这确实是个充满了欢乐的地方。他在瓜拉球巴海滩正对面租了一套豪华的六居室别墅。在这里,他每天喝着甘蔗甜酒和冰镇啤酒,间或去俱乐部打打网球。到了晚上,谢弗上校——这个绰号“鼬鼠”的变态杀手——就又操起了他的老本行,在这座老城阴暗狭窄、弯弯曲曲的街道上开始了狩猎。 [点击阅读]
偶发空缺
作者:佚名
章节:56 人气:2
摘要:6.11若发生如下三种情况之一,即认为偶发空缺出现:(1)地方议员未在规定时间内声明接受职位;(2)议会收到其辞职报告;(3)其死亡当天……——查尔斯·阿诺德-贝克《地方议会管理条例》,第七版星期天巴里·菲尔布拉泽不想出门吃晚饭。整个周末他都头痛欲裂,当地报纸约稿的截稿期马上就要到了,得拼命写完。 [点击阅读]
冰与火之歌4
作者:佚名
章节:86 人气:2
摘要:Chapter1序章“龙。”莫兰德边说,边从地上抓起一只干瘪的苹果,在双手之间丢来丢去。“扔啊。”外号“斯芬克斯”的拉蕾萨催促。他从箭囊里抽出一支箭,搭上弓弦。“我想看龙。”鲁尼在他们当中年纪最小,又矮又胖,尚有两岁才成年。“哪怕一眼都好。”我想萝希搂着我睡觉,佩特心想。 [点击阅读]
劳伦斯短篇小说集
作者:佚名
章节:20 人气:2
摘要:今年是20世纪英国最有成就、也是最有争议的作家之一——劳伦斯诞生!”!”0周年。这位不朽的文学大师在他近20年的创作生涯中为世人留下了!”0多部小说、3本游记、3卷短篇小说集、数本诗集、散文集、书信集,另有多幅美术作品,不愧为著作等身的一代文豪。戴维·赫伯特·劳伦斯(DavidHerbertLawrence)!”885年9月!”!”日出生在英国诺丁汉郡伊斯特伍德矿区。 [点击阅读]
双城记
作者:佚名
章节:58 人气:2
摘要:内容提要1757年12月的一个月夜,寓居巴黎的年轻医生梅尼特(Dr.Manette)散步时,突然被厄弗里蒙地侯爵(MarquisSt.Evremonde)兄弟强迫出诊。在侯爵府第中,他目睹一个发狂的绝色*农妇和一个身受剑伤的少年饮恨而死的惨状,并获悉侯爵兄弟为了片刻婬*乐杀害他们全家的内情。他拒绝侯爵兄弟的重金贿赂,写信向朝廷告发。 [点击阅读]
堂吉诃德
作者:佚名
章节:134 人气:2
摘要:【一】乍看似乎荒诞不经.实则隐含作者对西班牙现实深刻的理解.作者采用讽刺夸张的艺术手法.把现实与幻想结合起来.表达他对时代的见解.现实主义的描写在中占主导地位.在环境描写方面.与旧骑士小说的装饰性*风景描写截然不同.作者以史诗般的宏伟规模.以农村为主要舞台.出场以平民为主.人数近700多人.在这广阔的社会背景中.绘出一幅幅各具特色*又互相联系的社会画面.作者塑造人物的方法也是虚实结合的. [点击阅读]