51(y)(7)
用你喜欢的方式阅读你喜欢的小说
巴黎圣母院英文版 - BOOK ELEVENTH CHAPTER I.THE LITTLE SHOE. Page 4
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  The recluse had gone and seated herself by her daughter, covering her with her body, in front of her, with staring eyes, listening to the poor child, who did not stir, but who kept murmuring in a low voice, these words only, "phoebus! phoebus!"In proportion as the work of the demolishers seemed to advance, the mother mechanically retreated, and pressed the young girl closer and closer to the wall.All at once, the recluse beheld the stone (for she was standing guard and never took her eyes from it), move, and she heard Tristan's voice encouraging the workers.Then she aroused from the depression into which she had fallen during the last few moments, cried out, and as she spoke, her voice now rent the ear like a saw, then stammered as though all kind of maledictions were pressing to her lips to burst forth at once."Ho! ho! ho!Why this is terrible!You are ruffians! Are you really going to take my daughter?Oh! the cowards! Oh! the hangman lackeys! the wretched, blackguard assassins! Help! help! fire!Will they take my child from me like this?Who is it then who is called the good God?"Then, addressing Tristan, foaming at the mouth, with wild eyes, all bristling and on all fours like a female panther,--"Draw near and take my daughter!Do not you understand that this woman tells you that she is my daughter?Do you know what it is to have a child?Eh! lynx, have you never lain with your female? have you never had a cub? and if you have little ones, when they howl have you nothing in your vitals that moves?""Throw down the stone," said Tristan; "it no longer holds."The crowbars raised the heavy course.It was, as we have said, the mother's last bulwark.She threw herself upon it, she tried to hold it back; she scratched the stone with her nails, but the massive block, set in movement by six men, escaped her and glided gently to the ground along the iron levers.The mother, perceiving an entrance effected, fell down in front of the opening, barricading the breach with her body, beating the pavement with her head, and shrieking with a voice rendered so hoarse by fatigue that it was hardly audible,--"Help! fire! fire!""Now take the wench," said Tristan, still impassive.The mother gazed at the soldiers in such formidable fashion that they were more inclined to retreat than to advance."Come, now," repeated the provost."Here you, Rennet Cousin!"No one took a step.The provost swore,--"~Tête de Christ~! my men of war! afraid of a woman!""Monseigneur," said Rennet, "do you call that a woman?""She has the mane of a lion," said another."Come!" repeated the provost, "the gap is wide enough. Enter three abreast, as at the breach of pontoise.Let us make an end of it, death of Mahom!I will make two pieces of the first man who draws back!"placed between the provost and the mother, both threatening, the soldiers hesitated for a moment, then took their resolution, and advanced towards the Rat-Hole.When the recluse saw this, she rose abruptly on her knees, flung aside her hair from her face, then let her thin flayed hands fall by her side.Then great tears fell, one by one, from her eyes; they flowed down her cheeks through a furrow, like a torrent through a bed which it has hollowed for itself.At the same time she began to speak, but in a voice so supplicating, so gentle, so submissive, so heartrending, that more than one old convict-warder around Tristan who must have devoured human flesh wiped his eyes."Messeigneurs! messieurs the sergeants, one word.There is one thing which I must say to you.She is my daughter, do you see?my dear little daughter whom I had lost! Listen.It is quite a history.Consider that I knew the sergeants very well.They were always good to me in the days when the little boys threw stones at me, because I led a life of pleasure.Do you see?You will leave me my child when you know!I was a poor woman of the town.It was the Bohemians who stole her from me.And I kept her shoe for fifteen years.Stay, here it is.That was the kind of foot which she had.At Reims!La Chantefleurie!Rue Folle- peine!perchance, you knew about that.It was I.In your youth, then, there was a merry time, when one passed good hours.You will take pity on me, will you not, gentlemen? The gypsies stole her from me; they hid her from me for fifteen years.I thought her dead.Fancy, my good friends, believed her to be dead.I have passed fifteen years here in this cellar, without a fire in winter.It is hard.The poor, dear little shoe!I have cried so much that the good God has heard me.This night he has given my daughter back to me. It is a miracle of the good God.She was not dead.You will not take her from me, I am sure.If it were myself, I would say nothing; but she, a child of sixteen!Leave her time to see the sun!What has she done to you? nothing at all.Nor have I.If you did but know that she is all I have, that I am old, that she is a blessing which the Holy Virgin has sent to me!And then, you are all so good! You did not know that she was my daughter; but now you do know it.Oh!I love her!Monsieur, the grand provost. I would prefer a stab in my own vitals to a scratch on her finger!You have the air of such a good lord!What I have told you explains the matter, does it not?Oh! if you have had a mother, monsiegneur! you are the captain, leave me my child!Consider that I pray you on my knees, as one prays to Jesus Christ!I ask nothing of any one; I am from Reims, gentlemen; I own a little field inherited from my uncle, Mahiet pradon.I am no beggar.I wish nothing, but I do want my child! oh!I want to keep my child!The good God, who is the master, has not given her back to me for nothing!The king! you say the king!It would not cause him much pleasure to have my little daughter killed! And then, the king is good! she is my daughter! she is my own daughter!She belongs not to the king! she is not yours!I want to go away! we want to go away! and when two women pass, one a mother and the other a daughter, one lets them go!Let us pass! we belong in Reims.Oh! you are very good, messieurs the sergeants, I love you all.You will not take my dear little one, it is impossible!It is utterly impossible, is it not?My child, my child!"We will not try to give an idea of her gestures, her tone, of the tears which she swallowed as she spoke, of the hands which she clasped and then wrung, of the heart-breaking smiles, of the swimming glances, of the groans, the sighs, the miserable and affecting cries which she mingled with her disordered, wild, and incoherent words.When she became silent Tristan l'Hermite frowned, but it was to conceal a tear which welled up in his tiger's eye.He conquered this weakness, however, and said in a curt tone,--"The king wills it."Then he bent down to the ear of Rennet Cousin, and said to him in a very low tone,--"Make an end of it quickly!" possibly, the redoubtable provost felt his heart also failing him.The executioner and the sergeants entered the cell.The mother offered no resistance, only she dragged herself towards her daughter and threw herself bodily upon her. The gypsy beheld the soldiers approach.The horror of death reanimated her,--"Mother!" she shrieked, in a tone of indescribable distress, "Mother! they are coming! defend me!""Yes, my love, I am defending you!" replied the mother, in a dying voice; and clasping her closely in her arms, she covered her with kisses.The two lying thus on the earth, the mother upon the daughter, presented a spectacle worthy of pity.Rennet Cousin grasped the young girl by the middle of her body, beneath her beautiful shoulders.When she felt that hand, she cried, "Heuh!" and fainted.The executioner who was shedding large tears upon her, drop by drop, was about to bear her away in his arms.He tried to detach the mother, who had, so to speak, knotted her hands around her daughter's waist; but she clung so strongly to her child, that it was impossible to separate them.Then Rennet Cousin dragged the young girl outside the cell, and the mother after her.The mother's eyes were also closed.At that moment, the sun rose, and there was already on the place a fairly numerous assembly of people who looked on from a distance at what was being thus dragged along the pavement to the gibbet.For that was provost Tristan's way at executions.He had a passion for preventing the approach of the curious.There was no one at the windows.Only at a distance, at the summit of that one of the towers of Notre-Dame which commands the Grève, two men outlined in black against the light morning sky, and who seemed to be looking on, were visible.Rennet Cousin paused at the foot of the fatal ladder, with that which he was dragging, and, barely breathing, with so much pity did the thing inspire him, he passed the rope around the lovely neck of the young girl.The unfortunate child felt the horrible touch of the hemp.She raised her eyelids, and saw the fleshless arm of the stone gallows extended above her head.Then she shook herself and shrieked in a loud and heartrending voice: "No! no!I will not!" Her mother, whose head was buried and concealed in her daughter's garments, said not a word; only her whole body could be seen to quiver, and she was heard to redouble her kisses on her child.The executioner took advantage of this moment to hastily loose the arms with which she clasped the condemned girl.Either through exhaustion or despair, she let him have his way.Then he took the young girl on his shoulder, from which the charming creature hung, gracefully bent over his large head.Then he set his foot on the ladder in order to ascend.At that moment, the mother who was crouching on the pavement, opened her eyes wide.Without uttering a cry, she raised herself erect with a terrible expression; then she flung herself upon the hand of the executioner, like a beast on its prey, and bit it.It was done like a flash of lightning.The headsman howled with pain.Those near by rushed up. With difficulty they withdrew his bleeding hand from the mother's teeth.She preserved a profound silence.They thrust her back with much brutality, and noticed that her head fell heavily on the pavement.They raised her, she fell back again.She was dead.The executioner, who had not loosed his hold on the young girl, began to ascend the ladder once more.
或许您还会喜欢:
相约星期二
作者:佚名
章节:28 人气:2
摘要:最后的课程——《相约星期二》中文版序余秋雨一我们人类的很多行为方式是不可思议的,有时偶然想起,总会暗暗吃惊。譬如,其中一件怪事,就是人人都在苦恼人生,但谁也不愿意多谈人生。稍稍多谈几句的,一是高中毕业生,动笔会写“生活的风帆啊”之类的句子;二是街头老大娘,开口会发“人这一辈子啊”之类的感叹。 [点击阅读]
福地
作者:佚名
章节:40 人气:2
摘要:海尔曼·布霍尔茨——德国人,罗兹某印染厂厂长卡罗尔·博罗维耶茨基(卡尔)——布霍尔茨印染厂经理莫雷茨·韦尔特(马乌雷齐)——布霍尔茨印染厂股东,博罗维耶茨基的好友马克斯·巴乌姆——博罗维耶茨基的好友布霍尔佐娃——布霍尔茨的妻子克诺尔——布霍尔茨的女婿马切克·维索茨基——布霍尔茨印染厂医生尤利乌什·古斯塔夫·哈梅施坦(哈梅尔)——布霍尔茨的私人医生什瓦尔茨——布霍尔茨印染厂公务员列昂·科恩——布霍尔 [点击阅读]
空幻之屋
作者:佚名
章节:30 人气:2
摘要:星期五的早晨,六点十三分,露西.安格卡特尔睁开了她那蓝色的大眼睛,新的一天开始了。同往常一样,她立刻就完全清醒了,并且开始思考从她那活跃得令人难以置信的头脑中冒出来的问题。她感到迫切需要同别人商量,于是想到了自己年轻的表妹米奇.哈德卡斯尔,昨天晚上才来到空幻庄园的年轻人。安格卡特尔夫人迅速地溜下床,往她那依然优雅的肩头披上一件便服后,就来到了米奇的房间。 [点击阅读]
第三个女郎
作者:佚名
章节:25 人气:2
摘要:赫邱里?白罗坐在早餐桌上。右手边放着一杯热气腾腾的巧克力,他一直嗜好甜食,就着这杯热巧克力喝的是一块小甜面包,配巧克最好吃了。他满意地点了点头。他跑了几家铺子才买了来的;是一家丹麦点心店,可绝对比附近那家号称法国面包房要好不知多少倍,那家根本是唬人的。他总算解了馋,肚子是惬意多了。他心中也是很安逸,或许太平静了一点。他已经完成了他的“文学巨著”,是一部评析侦探小说大师的写作。 [点击阅读]
精灵宝钻
作者:佚名
章节:30 人气:2
摘要:创新之书一九五一年末,在《魔戒》与《精灵宝钻》已经完稿多时,而大西洋两岸仍迟迟不肯按托尔金的要求将两书同时出版:心焦的托尔金於是写了一封长达万言的信给美国出版商,阐明他创作这整个神话世界的缘起与故事始末:我从早年就对自己所爱之乡土没有属於自己的故事感到悲伤。 [点击阅读]
紧急传染
作者:佚名
章节:38 人气:2
摘要:1991年6月12日,这是暮春的一个近似完美的日子。天已破晓,阳光触摸着北美大陆的东海岸。美国大部、加拿大和墨西哥都在期待着阳光明媚的蓝天、只是气象雷达显示雷暴云团即将来临,估计会从平原伸向田纳西河谷。已经有预报,从白令海峡移动过来的阵雨云可能覆盖阿拉斯加的西沃德半岛。这个6月12日几乎在各个方面都与以往的6月12日没什么两样,只有一个奇怪的迹象除外。 [点击阅读]
纽约老大
作者:佚名
章节:19 人气:2
摘要:1991年6月13日,好莱坞。凌晨,加利福尼亚美联社分部一派兵荒马乱。五分钟之前,路透社抢先向全球公布了齐亚托联通公司的最新消息。这一次,英国人灵敏的鼻子终于甚至比美国人更早嗅到了大西洋的腥味。齐亚托联通公司正在制做本世纪耗资最大的色情片,主要外景地选择在沙漠中,也就是拍摄《宾虚传》和《阿拉伯的劳伦斯》用过的场景,其中一处搭设了1000余人在上面翻滚的大台子。 [点击阅读]
背德者
作者:佚名
章节:14 人气:2
摘要:引子天主啊,我颁扬你,是你把我造就成如此卓异之人。[诗篇]①第139篇,14句①亦译《圣咏集》,《圣经·旧约》中的一卷,共一百五十篇。我给予本书以应有的价值。这是一个尽含苦涩渣滓的果实,宛似荒漠中的药西瓜。药西瓜生长在石灰质地带,吃了非但不解渴,口里还会感到火烧火燎,然而在金色的沙上却不乏瑰丽之态。 [点击阅读]
致加西亚的一封信
作者:佚名
章节:24 人气:2
摘要:我相信我自己。我相信自己所售的商品。我相信我所在的公司。我相信我的同事和助手。我相信美国的商业方式。我相信生产者、创造者、制造者、销售者以及世界上所有正在努力工作的人们。我相信真理就是价值。我相信愉快的心情,也相信健康。我相信成功的关键并不是赚钱,而是创造价值。我相信阳光、空气、菠菜、苹果酱、酸-乳-、婴儿、羽绸和雪纺绸。请始终记住,人类语言里最伟大的词汇就是“自信”。 [点击阅读]
苦行记
作者:佚名
章节:62 人气:2
摘要:译序《苦行记》是美国著名现实主义作家、幽默大师马克·吐温的一部半自传体著作,作者以夸张的手法记录了他1861—一1865年间在美国西部地区的冒险生活。书中的情节大多是作者自己当年的所见所闻和亲身经历,我们可以在他的自传里发现那一系列真实的素材,也可以在他的其他作品中看到这些情节的艺术再现及作者审美趣旨的发展。《苦行记》也是十九世纪淘金热时期美国西部奇迹般繁荣的写照。 [点击阅读]