51(y)(7)
用你喜欢的方式阅读你喜欢的小说
巴黎圣母院英文版 - BOOK NINTH CHAPTER II.HUNCHBACKED, ONE EYED, LAME.
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  Every city during the Middle Ages, and every city in France down to the time of Louis XII. had its places of asylum. These sanctuaries, in the midst of the deluge of penal and barbarous jurisdictions which inundated the city, were a species of islands which rose above the level of human justice. Every criminal who landed there was safe.There were in every suburb almost as many places of asylum as gallows. It was the abuse of impunity by the side of the abuse of punishment; two bad things which strove to correct each other.The palaces of the king, the hotels of the princes, and especially churches, possessed the right of asylum.Sometimes a whole city which stood in need of being repeopled was temporarily created a place of refuge.Louis XI. made all paris a refuge in 1467.His foot once within the asylum, the criminal was sacred; but he must beware of leaving it; one step outside the sanctuary, and he fell back into the flood.The wheel, the gibbet, the strappado, kept good guard around the place of refuge, and lay in watch incessantly for their prey, like sharks around a vessel.Hence, condemned men were to be seen whose hair had grown white in a cloister, on the steps of a palace, in the enclosure of an abbey, beneath the porch of a church; in this manner the asylum was a prison as much as any other.It sometimes happened that a solemn decree of parliament violated the asylum and restored the condemned man to the executioner; but this was of rare occurrence.parliaments were afraid of the bishops, and when there was friction between these two robes, the gown had but a poor chance against the cassock.Sometimes, however, as in the affair of the assassins of petit-Jean, the headsman of paris, and in that of Emery Rousseau, the murderer of Jean Valleret, justice overleaped the church and passed on to the execution of its sentences; but unless by virtue of a decree of parliament, woe to him who violated a place of asylum with armed force! The reader knows the manner of death of Robert de Clermont, Marshal of France, and of Jean de Chalons, Marshal of Champagne; and yet the question was only of a certain perrin Marc, the clerk of a money-changer, a miserable assassin; but the two marshals had broken the doors of St. Méry. Therein lay the enormity.Such respect was cherished for places of refuge that, according to tradition, animals even felt it at times.Aymoire relates that a stag, being chased by Dagobert, having taken refuge near the tomb of Saint-Denis, the pack of hounds stopped short and barked.Churches generally had a small apartment prepared for the reception of supplicants.In 1407, Nicolas Flamel caused to be built on the vaults of Saint-Jacques de la Boucherie, a chamber which cost him four livres six sous, sixteen farthings, parisis.At Notre-Dame it was a tiny cell situated on the roof of the side aisle, beneath the flying buttresses, precisely at the spot where the wife of the present janitor of the towers has made for herself a garden, which is to the hanging gardens of Babylon what a lettuce is to a palm-tree, what a porter's wife is to a Semiramis.It was here that Quasimodo had deposited la Esmeralda, after his wild and triumphant course.As long as that course lasted, the young girl had been unable to recover her senses, half unconscious, half awake, no longer feeling anything, except that she was mounting through the air, floating in it, flying in it, that something was raising her above the earth. From time to time she heard the loud laughter, the noisy voice of Quasimodo in her ear; she half opened her eyes; then below her she confusedly beheld paris checkered with its thousand roofs of slate and tiles, like a red and blue mosaic, above her head the frightful and joyous face of Quasimodo. Then her eyelids drooped again; she thought that all was over, that they had executed her during her swoon, and that the misshapen spirit which had presided over her destiny, had laid hold of her and was bearing her away.She dared not look at him, and she surrendered herself to her fate. But when the bellringer, dishevelled and panting, had deposited her in the cell of refuge, when she felt his huge hands gently detaching the cord which bruised her arms, she felt that sort of shock which awakens with a start the passengers of a vessel which runs aground in the middle of a dark night.Her thoughts awoke also, and returned to her one by one.She saw that she was in Notre-Dame; she remembered having been torn from the hands of the executioner; that phoebus was alive, that phoebus loved her no longer; and as these two ideas, one of which shed so much bitterness over the other, presented themselves simultaneously to the poor condemned girl; she turned to Quasimodo, who was standing in front of her, and who terrified her; she said to him,--"Why have you saved me?"He gazed at her with anxiety, as though seeking to divine what she was saying to him.She repeated her question. Then he gave her a profoundly sorrowful glance and fled. She was astonished.A few moments later he returned, bearing a package which he cast at her feet.It was clothing which some charitable women had left on the threshold of the church for her.Then she dropped her eyes upon herself and saw that she was almost naked, and blushed.Life had returned.Quasimodo appeared to experience something of this modesty. He covered his eyes with his large hand and retired once more, but slowly.She made haste to dress herself.The robe was a white one with a white veil,--the garb of a novice of the H?tel-Dien.She had barely finished when she beheld Quasimodo returning. He carried a basket under one arm and a mattress under the other.In the basket there was a bottle, bread, and some provisions.He set the basket on the floor and said, "Eat!" He spread the mattress on the flagging and said, "Sleep."It was his own repast, it was his own bed, which the bellringer had gone in search of.The gypsy raised her eyes to thank him, but she could not articulate a word.She dropped her head with a quiver of terror.Then he said to her. -"I frighten you.I am very ugly, am I not?Do not look at me; only listen to me.During the day you will remain here; at night you can walk all over the church.But do not leave the church either by day or by night.You would be lost.They would kill you, and I should die."She was touched and raised her head to answer him.He had disappeared.She found herself alone once more, meditating upon the singular words of this almost monstrous being, and struck by the sound of his voice, which was so hoarse yet so gentle.Then she examined her cell.It was a chamber about six feet square, with a small window and a door on the slightly sloping plane of the roof formed of flat stones.Many gutters with the figures of animals seemed to be bending down around her, and stretching their necks in order to stare at her through the window.Over the edge of her roof she perceived the tops of thousands of chimneys which caused the smoke of all the fires in paris to rise beneath her eyes.A sad sight for the poor gypsy, a foundling, condemned to death, an unhappy creature, without country, without family, without a hearthstone.At the moment when the thought of her isolation thus appeared to her more poignant than ever, she felt a bearded and hairy head glide between her hands, upon her knees.She started (everything alarmed her now) and looked.It was the poor goat, the agile Djali, which had made its escape after her, at the moment when Quasimodo had put to flight Charmolue's brigade, and which had been lavishing caresses on her feet for nearly an hour past, without being able to win a glance.The gypsy covered him with kisses."Oh!Djali!" she said, "how I have forgotten thee!And so thou still thinkest of me!Oh! thou art not an ingrate!"At the same time, as though an invisible hand had lifted the weight which had repressed her tears in her heart for so long, she began to weep, and, in proportion as her tears flowed, she felt all that was most acrid and bitter in her grief depart with them.Evening came, she thought the night so beautiful that she made the circuit of the elevated gallery which surrounds the church.It afforded her some relief, so calm did the earth appear when viewed from that height.
或许您还会喜欢:
别相信任何人
作者:佚名
章节:66 人气:2
摘要:如果你怀疑,身边最亲近的人为你虚构了一个人生,你还能相信谁?你看到的世界,不是真实的,更何况是别人要你看的。20年来,克丽丝的记忆只能保持一天。每天早上醒来,她都会完全忘了昨天的事——包皮括她的身份、她的过往,甚至她爱的人。克丽丝的丈夫叫本,是她在这个世界里唯一的支柱,关于她生命中的一切,都只能由本告知。但是有一天,克丽丝找到了自己的日记,发现第一页赫然写着:不要相信本。 [点击阅读]
卡拉马佐夫兄弟
作者:佚名
章节:94 人气:2
摘要:献给安娜-格里戈里耶芙娜-陀思妥耶夫斯卡娅卡拉马佐夫兄弟我实实在在的告诉你们:一粒麦子不落在地里死了,仍旧是一粒;若是死了,就结出许多子粒来。(《约翰福音》第十二章第二十四节)第一部第一卷一个家庭的历史第一节费多尔-巴夫洛维奇-卡拉马佐夫阿历克赛-费多罗维奇-卡拉马佐夫是我县地主费多尔-巴夫洛维奇-卡拉马佐夫的第三个儿子。 [点击阅读]
培根随笔集
作者:佚名
章节:60 人气:2
摘要:译文序一、本书系依据Selby编辑之Macmillan本,参考《万人丛书》(Everyman’sLibrary)本而译成者。二、译此书时或“亦步亦趋”而“直译”之。或颠倒其词序,拆裂其长句而“意译”之。但求无愧我心,不顾他人之臧否也。 [点击阅读]
希区柯克悬念故事集
作者:佚名
章节:127 人气:2
摘要:悬念大师希区柯克什么是悬念?希区柯克曾经给悬念下过一个著名的定义:如果你要表现一群人围着一张桌子玩牌,然后突然一声爆炸,那么你便只能拍到一个十分呆板的炸后一惊的场面。另一方面,虽然你是表现这同一场面,但是在打牌开始之前,先表现桌子下面的定时炸弹,那么你就造成了悬念,并牵动观众的心。其实,希区柯克的作品并非只靠悬念吸引人,其内涵要深刻得多。希区柯克对人类的心理世界有着深刻的体悟。 [点击阅读]
惹我你就死定了
作者:佚名
章节:139 人气:2
摘要:“喂,你去见男朋友,我干嘛要跟着啊?”“嘻嘻,我和宗浩说好了,要带你去见他的啊^o^”晕~-_-^,这么闷热的天,本来就够闹心的了,还要去给朋友当电灯泡,可怜芳龄十八的我啊,这些年都干嘛了?我好想有个男人啊,做梦都想…“朴宗浩有什么呀?他是公高的吧?公高那帮小子太危险了,你离他们远点儿。 [点击阅读]
迷恋
作者:佚名
章节:104 人气:2
摘要:“喂??…喂????”…嘟嘟…嘟嘟嘟…二零零三年,成南。…又来了…又来了,该死的骚扰电话,今天是十八岁的我的第十七个生日…是我喝海带汤的日子没错了,偏偏接到这狗屎味儿的无声电话…^=_=已经一个星期了,“喂…嘟,喂…嘟”(?誄每次都是一样)那边也不说话,就是偷听我的声音然后就断了…今天早晨我居然在生日餐桌上又被涮了一次…^-_-凭我出神入化的第六感, [点击阅读]
古兰经
作者:佚名
章节:116 人气:2
摘要:《古兰经》概述《古兰经》是伊斯兰教经典,伊斯兰教徒认为它是安拉对先知穆罕默德所启示的真实语言,在穆罕默德死后汇集为书。《古兰经》的阿拉伯文在纯洁和优美上都无与伦比,在风格上是达到纯全的地步。为了在斋月诵读,《古兰经》分为30卷,一月中每天读1卷。但是《古兰经》主要划分单位却是长短不等的114章。《法蒂哈》即开端一章是简短的祈祷词,其他各章大致按长短次序排列;第二章最长;最后两三章最短。 [点击阅读]
小银和我
作者:佚名
章节:142 人气:2
摘要:——和希梅内斯的《小银和我》严文井许多年以前,在西班牙某一个小乡村里,有一头小毛驴,名叫小银。它像个小男孩,天真、好奇而又调皮。它喜欢美,甚至还会唱几支简短的咏叹调。它有自己的语言,足以充分表达它的喜悦、欢乐、沮丧或者失望。有一天,它悄悄咽了气。世界上从此缺少了它的声音,好像它从来就没有出生过一样。这件事说起来真有些叫人忧伤,因此西班牙诗人希梅内斯为它写了一百多首诗。每首都在哭泣,每首又都在微笑。 [点击阅读]
尤物
作者:佚名
章节:7 人气:3
摘要:渡边伸出不隐约的双手捧住她的脸,动作温柔得教她感到难以承受。她是没指望或许该说不敢指望会更贴切一些,他的温柔对待,以及他此刻凝视她的眼神,他把她拉进自己怀里,抱着她好长好长一段时间,什么话也没有说。终于,他开始吻她,整个晚上,因为过度渴望而凝聚成的硬结,此刻开始化解为缓缓的甜蜜,流过她的每一根神经和每一颗细胞,就象一条遗忘的溪流。 [点击阅读]
巴黎圣母院英文版
作者:佚名
章节:78 人气:2
摘要:维克多·雨果(VictorHugo),1802年2月26日-1885年5月22日)是法国浪漫主义作家的代表人物,是19世纪前期积极浪漫主义文学运动的领袖,法国文学史上卓越的资产阶级民主作家。雨果几乎经历了19世纪法国的一切重大事变。一生写过多部诗歌、小说、剧本、各种散文和文艺评论及政论文章,是法国有影响的人物。 [点击阅读]