51(y)(7)
用你喜欢的方式阅读你喜欢的小说
巴黎圣母院英文版 - BOOK EIGHTH CHAPTER VI.THREE HUMAN HEARTS DIFFERENTLY CONSTR
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  Moreover, there was nothing in her which was not shaken in some sort, and which with the exception of her modesty, she did not let go at will, so profoundly had she been broken by stupor and despair.Her body bounded at every jolt of the tumbrel like a dead or broken thing; her gaze was dull and imbecile.A tear was still visible in her eyes, but motionless and frozen, so to speak.Meanwhile, the lugubrious cavalcade has traversed the crowd amid cries of joy and curious attitudes.But as a faithful historian, we must state that on beholding her so beautiful, so depressed, many were moved with pity, even among the hardest of them.The tumbrel had entered the parvis.It halted before the central portal.The escort ranged themselves in line on both sides.The crowd became silent, and, in the midst of this silence full of anxiety and solemnity, the two leaves of the grand door swung back, as of themselves, on their hinges, which gave a creak like the sound of a fife.Then there became visible in all its length, the deep, gloomy church, hung in black, sparely lighted with a few candles gleaming afar off on the principal altar, opened in the midst of the place which was dazzling with light, like the mouth of a cavern.At the very extremity, in the gloom of the apse, a gigantic silver cross was visible against a black drapery which hung from the vault to the pavement.The whole nave was deserted.But a few heads of priests could be seen moving confusedly in the distant choir stalls, and, at the moment when the great door opened, there escaped from the church a loud, solemn, and monotonous chanting, which cast over the head of the condemned girl, in gusts, fragments of melancholy psalms,--"~Non timebo millia populi circumdantis me: exsurge, Domine; salvum me fac, Deus~!""~Salvum me fac, Deus, quoniam intraverunt aquoe usque ad animam meam~."~Infixus sum in limo profundi; et non est substantia~."At the same time, another voice, separate from the choir, intoned upon the steps of the chief altar, this melancholy offertory,-"~Qui verbum meum audit, et credit ei qui misit me, habet vitam oeternam et in judicium non venit; sed transit a morte im vitam~*."* "He that heareth my word and believeth on Him that sent me, hath eternal life, and hath not come into condemnation; but is passed from death to life."This chant, which a few old men buried in the gloom sang from afar over that beautiful creature, full of youth and life, caressed by the warm air of spring, inundated with sunlight was the mass for the dead.The people listened devoutly.The unhappy girl seemed to lose her sight and her consciousness in the obscure interior of the church.Her white lips moved as though in prayer, and the headsman's assistant who approached to assist her to alight from the cart, heard her repeating this word in a low tone,--"phoebus."They untied her hands, made her alight, accompanied by her goat, which had also been unbound, and which bleated with joy at finding itself free: and they made her walk barefoot on the hard pavement to the foot of the steps leading to the door. The rope about her neck trailed behind her.One would have said it was a serpent following her.Then the chanting in the church ceased.A great golden cross and a row of wax candles began to move through the gloom.The halberds of the motley beadles clanked; and, a few moments later, a long procession of priests in chasubles, and deacons in dalmatics, marched gravely towards the condemned girl, as they drawled their song, spread out before her view and that of the crowd.But her glance rested on the one who marched at the head, immediately after the cross-bearer."Oh!" she said in a low voice, and with a shudder, "'tis he again!the priest!"It was in fact, the archdeacon.On his left he had the sub- chanter, on his right, the chanter, armed with his official wand.He advanced with head thrown back, his eyes fixed and wide open, intoning in a strong voice,--"~De ventre inferi clamavi, et exaudisti vocem meam~."~Et projecisti me in profundum in corde mans, et flumem circumdedit me~*."*"Out of the belly of hell cried I, and thou heardest my voice.For thou hadst cast me into the deep in the midst of the seas, and the floods compassed me about."At the moment when he made his appearance in the full daylight beneath the lofty arched portal, enveloped in an ample cope of silver barred with a black cross, he was so pale that more than one person in the crowd thought that one of the marble bishops who knelt on the sepulchral stones of the choir had risen and was come to receive upon the brink of the tomb, the woman who was about to die.She, no less pale, no less like a statue, had hardly noticed that they had placed in her hand a heavy, lighted candle of yellow wax; she had not heard the yelping voice of the clerk reading the fatal contents of the apology; when they told her to respond with Amen, she responded Amen.She only recovered life and force when she beheld the priest make a sign to her guards to withdraw, and himself advance alone towards her.Then she felt her blood boil in her head, and a remnant of indignation flashed up in that soul already benumbed and cold.The archdeacon approached her slowly; even in that extremity, she beheld him cast an eye sparkling with sensuality, jealousy, and desire, over her exposed form.Then he said aloud,--"Young girl, have you asked God's pardon for your faults and shortcomings?"He bent down to her ear, and added (the spectators supposed that he was receiving her last confession): "Will you have me?I can still save you!"She looked intently at him: "Begone, demon, or I will denounce you!"He gave vent to a horrible smile: "You will not be believed. You will only add a scandal to a crime.Reply quickly!Will you have me?""What have you done with my phoebus?""He is dead!" said the priest.At that moment the wretched archdeacon raised his head mechanically and beheld at the other end of the place, in the balcony of the Gondelaurier mansion, the captain standing beside Fleur-de-Lys.He staggered, passed his hand across his eyes, looked again, muttered a curse, and all his features were violently contorted."Well, die then!" he hissed between his teeth."No one shall have you."Then, raising his hand over the gypsy, he exclaimed in a funereal voice:--"~I nunc, anima anceps, et sit tibi Deus misenicors~!"**"Go now, soul, trembling in the balance, and God have mercy upon thee."This was the dread formula with which it was the custom to conclude these gloomy ceremonies.It was the signal agreed upon between the priest and the executioner.The crowd knelt."~Kyrie eleison~,"* said the priests, who had remained beneath the arch of the portal.*"Lord have mercy upon us.""~Kyrie eleison~," repeated the throng in that murmur which runs over all heads, like the waves of a troubled sea."Amen," said the archdeacon.He turned his back on the condemned girl, his head sank upon his breast once more, he crossed his hands and rejoined his escort of priests, and a moment later he was seen to disappear, with the cross, the candles, and the copes, beneath the misty arches of the cathedral, and his sonorous voice was extinguished by degrees in the choir, as he chanted this verse of despair,--"~Omnes gurgites tui et fluctus tui super me transierunt."**"All thy waves and thy billows have gone over me."At the same time, the intermittent clash of the iron butts of the beadles' halberds, gradually dying away among the columns of the nave, produced the effect of a clock hammer striking the last hour of the condemned.The doors of Notre-Dame remained open, allowing a view of the empty desolate church, draped in mourning, without candles, and without voices.The condemned girl remained motionless in her place, waiting to be disposed of.One of the sergeants of police was obliged to notify Master Charmolue of the fact, as the latter, during this entire scene, had been engaged in studying the bas-relief of the grand portal which represents, according to some, the sacrifice of Abraham; according to others, the philosopher's alchemical operation: the sun being figured forth by the angel; the fire, by the fagot; the artisan, by Abraham.There was considerable difficulty in drawing him away from that contemplation, but at length he turned round; and, at a signal which he gave, two men clad in yellow, the executioner's assistants, approached the gypsy to bind her hands once more.The unhappy creature, at the moment of mounting once again the fatal cart, and proceeding to her last halting-place, was seized, possibly, with some poignant clinging to life. She raised her dry, red eyes to heaven, to the sun, to the silvery clouds, cut here and there by a blue trapezium or triangle; then she lowered them to objects around her, to the earth, the throng, the houses; all at once, while the yellow man was binding her elbows, she uttered a terrible cry, a cry of joy.Yonder, on that balcony, at the corner of the place, she had just caught sight of him, of her friend, her lord, phoebus, the other apparition of her life!The judge had lied! the priest had lied! it was certainly he, she could not doubt it; he was there, handsome, alive, dressed in his brilliant uniform, his plume on his head, his sword by his side!"phoebus!" she cried, "my phoebus!"And she tried to stretch towards him arms trembling with love and rapture, but they were bound.Then she saw the captain frown, a beautiful young girl who was leaning against him gazed at him with disdainful lips and irritated eyes; then phoebus uttered some words which did not reach her, and both disappeared precipitately behind the window opening upon the balcony, which closed after them."phoebus!" she cried wildly, "can it be you believe it?" A monstrous thought had just presented itself to her.She remembered that she had been condemned to death for murder committed on the person of phoebus de Chateaupers.She had borne up until that moment.But this last blow was too harsh.She fell lifeless on the pavement."Come," said Charmolue, "carry her to the cart, and make an end of it."No one had yet observed in the gallery of the statues of the kings, carved directly above the arches of the portal, a strange spectator, who had, up to that time, observed everything with such impassiveness, with a neck so strained, a visage so hideous that, in his motley accoutrement of red and violet, he might have been taken for one of those stone monsters through whose mouths the long gutters of the cathedral have discharged their waters for six hundred years.This spectator had missed nothing that had taken place since midday in front of the portal of Notre-Dame.And at the very beginning he had securely fastened to one of the small columns a large knotted rope, one end of which trailed on the flight of steps below.This being done, he began to look on tranquilly, whistling from time to time when a blackbird flitted past. Suddenly, at the moment when the superintendent's assistants were preparing to execute Charmolue's phlegmatic order, he threw his leg over the balustrade of the gallery, seized the rope with his feet, his knees and his hands; then he was seen to glide down the fa?ade, as a drop of rain slips down a window- pane, rush to the two executioners with the swiftness of a cat which has fallen from a roof, knock them down with two enormous fists, pick up the gypsy with one hand, as a child would her doll, and dash back into the church with a single bound, lifting the young girl above his head and crying in a formidable voice,--"Sanctuary!"This was done with such rapidity, that had it taken place at night, the whole of it could have been seen in the space of a single flash of lightning."Sanctuary!Sanctuary!" repeated the crowd; and the clapping of ten thousand hands made Quasimodo's single eye sparkle with joy and pride.This shock restored the condemned girl to her senses.She raised her eyelids, looked at Quasimodo, then closed them again suddenly, as though terrified by her deliverer.Charmolue was stupefied, as well as the executioners and the entire escort.In fact, within the bounds of Notre-Dame, the condemned girl could not be touched.The cathedral was a place of refuge.All temporal jurisdiction expired upon its threshold.Quasimodo had halted beneath the great portal, his huge feet seemed as solid on the pavement of the church as the heavy Roman pillars.His great, bushy head sat low between his shoulders, like the heads of lions, who also have a mane and no neck.He held the young girl, who was quivering all over, suspended from his horny hands like a white drapery; but he carried her with as much care as though he feared to break her or blight her.One would have said that he felt that she was a delicate, exquisite, precious thing, made for other hands than his.There were moments when he looked as if not daring to touch her, even with his breath.Then, all at once, he would press her forcibly in his arms, against his angular bosom, like his own possession, his treasure, as the mother of that child would have done.His gnome's eye, fastened upon her, inundated her with tenderness, sadness, and pity, and was suddenly raised filled with lightnings.Then the women laughed and wept, the crowd stamped with enthusiasm, for, at that moment Quasimodo had a beauty of his own.He was handsome; he, that orphan, that foundling, that outcast, he felt himself august and strong, he gazed in the face of that society from which he was banished, and in which he had so powerfully intervened, of that human justice from which he had wrenched its prey, of all those tigers whose jaws were forced to remain empty, of those policemen, those judges, those executioners, of all that force of the king which he, the meanest of creatures, had just broken, with the force of God.And then, it was touching to behold this protection which had fallen from a being so hideous upon a being so unhappy, a creature condemned to death saved by Quasimodo.They were two extremes of natural and social wretchedness, coming into contact and aiding each other.Meanwhile, after several moments of triumph, Quasimodo had plunged abruptly into the church with his burden.The populace, fond of all prowess, sought him with their eyes, beneath the gloomy nave, regretting that he had so speedily disappeared from their acclamations.All at once, he was seen to re-appear at one of the extremities of the gallery of the kings of France; he traversed it, running like a madman, raising his conquest high in his arms and shouting: "Sanctuary!" The crowd broke forth into fresh applause.The gallery passed, he plunged once more into the interior of the church.A moment later, he re-appeared upon the upper platform, with the gypsy still in his arms, still running madly, still crying, "Sanctuary!" and the throng applauded. Finally, he made his appearance for the third time upon the summit of the tower where hung the great bell; from that point he seemed to be showing to the entire city the girl whom he had saved, and his voice of thunder, that voice which was so rarely heard, and which he never heard himself, repeated thrice with frenzy, even to the clouds: "Sanctuary! Sanctuary!Sanctuary!""Noel!Noel!" shouted the populace in its turn; and that immense acclamation flew to astonish the crowd assembled at the Grève on the other bank, and the recluse who was still waiting with her eyes riveted on the gibbet.
或许您还会喜欢:
精神分析引论
作者:佚名
章节:30 人气:2
摘要:序那些想获得精神分析知识的人们所面临的困难很多,尤其是缺乏一本适用的教科书可用以开始他们的研究。这些人从前可在三类课本中进行选择,但由初学者看来,每一类都各有它的缺点。他们可通过弗洛伊德、布里尔、费伦齐和我自己所刊行的大量论文,寻找他们的前进道路,这些论文不是依照任何连贯性的计划来安排的,而且大部分是写给那些对这门学问已有所知的人阅读的。 [点击阅读]
老妇还乡
作者:佚名
章节:3 人气:2
摘要:正文第一幕火车站一阵报时钟声后,幕徐徐升起。接着就看到“居仑”两字。显然,这是北京处隐约可见的小城的名称,一片破烂、败落的景象。车站大楼同样破败不堪,墙上标出有的州通车,有的州不通;还贴着一张破烂不堪的列车时刻表,车站还包括一间发黑的信号室,一扇门上写着:禁止入内。在北京中间是一条通往车站的马路,样子可怜得很,它也只是用笔勾勒出来。 [点击阅读]
荡魂
作者:佚名
章节:8 人气:2
摘要:由霸空港起飞的定期航班,于午后四时抵达东京羽田机场,羽田机场一片嘈杂,寺田绫子找到了机场大厅的公用电话亭。绫子身上带着拍摄完毕的胶卷,这种胶卷为深海摄影专用的胶卷,目前,只能在东洋冲印所冲印,绫子要找的冲洗师正巧不在,她只得提上行李朝单轨电车站走去。赶回调布市的私宅已是夜间了,这是一栋小巧别致的商品住宅。绫子走进房间后,立即打开所有的窗户,房间已紧闭了十来天,里面残留着夏天的湿气。 [点击阅读]
裸冬
作者:佚名
章节:32 人气:2
摘要:刚刚度过了数月新婚生活的红正在收拾饭桌。昨晚丈夫领回来一位同僚,两人喝酒喝到深夜,留下了遍桌杯盘,一片狼藉。蓦地,红抬起头,四个男人蹑手蹑脚地偷偷闯进屋来!红骤然激起杀意,抓起桌上的牙签怒视着来人。她一眼就看出这四个来路不明的家伙不是打家劫舍找错了门,也不是找自己的丈夫寻衅闹事,而是专门冲着她本人来的!未等红顾及责问他们,这四个家伙早已蜂拥扑来。 [点击阅读]
褐衣男子
作者:佚名
章节:37 人气:2
摘要:使整个巴黎为之疯狂的俄籍舞者纳蒂娜,正一再的向台下不断喝彩赞好的观众鞠躬谢幕。她那细窄的双眼,此时显得更加的细眯,猩红的唇线微微上翘。当布幔缓缓下落,逐渐遮盖住五彩缤纷的舞台装饰时,热情的法国观众仍不停地击掌赞赏。舞者终于在蓝色和橘色的布幔旋涡中离开了舞台。一位蓄须的绅士热情地拥抱着她,那是剧院的经理。“了不起,真了不起!”他叫喊着。“今晚的表演,你已超越了自己。”他一本正经地亲吻她的双颊。 [点击阅读]
解忧杂货店
作者:佚名
章节:45 人气:2
摘要:导读这就是东野圭吾的本事东野圭吾小说普及性之所以这么高,几乎等于畅销书保证,一个不能不提的因素,即他的作品并非只有谜团,只是卖弄诡计;一个更重要的元素,即他过人的说故事能力,以及很有温度的文字书写;身为作家,强项一堆,难怪东野的创作总是多元又量产。 [点击阅读]
闪灵
作者:佚名
章节:38 人气:2
摘要:记不得哪位哲人曾经这样说过:对艺术而言,人类的两种基本欲望只需极小的代价便可以挑动起来,那就是恐惧与性欲。对后者,非本文所涉及的话题,姑且略去。但是把恐惧带进我们的生活,却真的不难。最简单的方法:你可以躲在暗处,出奇不意地向某个路过此地的人大吼一声,你的目的就能达到。当然,前提是他不知道你要玩这个游戏。换句话说,就是对他要保证两个字——悬念。 [点击阅读]
青鸟
作者:佚名
章节:9 人气:2
摘要:郑克鲁莫里斯·梅特林克(MauriceMaeterlinck,1862—1949),比利时象征派戏剧家。出生于公证人家庭,早年学习法律,毕业后随即到巴黎小住,结识了一些崇尚象征派诗歌的朋友,从此决定了他的文学生涯和创作倾向。他的第一部作品《温室》(1889)是象征派诗歌集。同年发表的剧本《玛莱娜公主》得到了法国评论界的重视,这个剧本第一次把象征主义手法运用到戏剧创作中。 [点击阅读]
1973年的弹子球
作者:佚名
章节:28 人气:2
摘要:喜欢听人讲陌生的地方,近乎病态地喜欢。有一段时间——10年前的事了——我不管三七二十一,逢人就问自己生身故乡和成长期间住过的地方的事。那个时代似乎极端缺乏愿意听人讲话那一类型的人,所以无论哪一个都对我讲得十分投入。甚至有素不相识的人在哪里听说我这个嗜好而特意跑来一吐为快。他们简直像往枯井里扔石子一样向我说各种各样——委实各种各样——的事,说罢全都心满意足地离去了。 [点击阅读]
1Q84 BOOK2
作者:佚名
章节:34 人气:2
摘要:&nbs;《1Q84BOOK2(7月-9月)》写一对十岁时相遇后便各奔东西的三十岁男女,相互寻觅对方的故事,并将这个简单故事变成复杂的长篇。我想将这个时代所有世态立体地写出,成为我独有的“综合小说”。超越纯文学这一类型,采取多种尝试。在当今时代的空气中嵌入人类的生命。 [点击阅读]