51(y)(7)
用你喜欢的方式阅读你喜欢的小说
巴黎圣母院英文版 - BOOK FOURTH CHAPTER V.MORE ABOUT CLAUDE FROLLO.
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  In 1482, Quasimodo was about twenty years of age; Claude Frollo, about thirty-six.One had grown up, the other had grown old.Claude Frollo was no longer the simple scholar of the college of Torch, the tender protector of a little child, the young and dreamy philosopher who knew many things and was ignorant of many.He was a priest, austere, grave, morose; one charged with souls; monsieur the archdeacon of Josas, the bishop's second acolyte, having charge of the two deaneries of Montlhéry, and Chateaufort, and one hundred and seventy-four country curacies.He was an imposing and sombre personage, before whom the choir boys in alb and in jacket trembled, as well as the machicots*, and the brothers of Saint-Augustine and the matutinal clerks of Notre-Dame, when he passed slowly beneath the lofty arches of the choir, majestic, thoughtful, with arms folded and his head so bent upon his breast that all one saw of his face was his large, bald brow.*An official of Notre-Dame, lower than a beneficed clergyman, higher than simple paid chanters.Dom Claude Frollo had, however, abandoned neither science nor the education of his young brother, those two occupations of his life.But as time went on, some bitterness had been mingled with these things which were so sweet.In the long run, says paul Diacre, the best lard turns rancid.Little Jehan Frollo, surnamed (~du Moulin~) "of the Mill" because of the place where he had been reared, had not grown up in the direction which Claude would have liked to impose upon him. The big brother counted upon a pious, docile, learned, and honorable pupil.But the little brother, like those young trees which deceive the gardener's hopes and turn obstinately to the quarter whence they receive sun and air, the little brother did not grow and did not multiply, but only put forth fine bushy and luxuriant branches on the side of laziness, ignorance, and debauchery.He was a regular devil, and a very disorderly one, who made Dom Claude scowl; but very droll and very subtle, which made the big brother smile.Claude had confided him to that same college of Torchi where he had passed his early years in study and meditation; and it was a grief to him that this sanctuary, formerly edified by the name of Frollo, should to-day be scandalized by it. He sometimes preached Jehan very long and severe sermons, which the latter intrepidly endured.After all, the young scapegrace had a good heart, as can be seen in all comedies. But the sermon over, he none the less tranquilly resumed his course of seditions and enormities.Now it was a ~bejaune~ or yellow beak (as they called the new arrivals at the university), whom he had been mauling by way of welcome; a precious tradition which has been carefully preserved to our own day. Again, he had set in movement a band of scholars, who had flung themselves upon a wine-shop in classic fashion, quasi ~classico excitati~, had then beaten the tavern-keeper "with offensive cudgels," and joyously pillaged the tavern, even to smashing in the hogsheads of wine in the cellar.And then it was a fine report in Latin, which the sub-monitor of Torchi carried piteously to Dom Claude with this dolorous marginal comment,--~Rixa; prima causa vinum optimum potatum~.Finally, it was said, a thing quite horrible in a boy of sixteen, that his debauchery often extended as far as the Rue de Glatigny.Claude, saddened and discouraged in his human affections, by all this, had flung himself eagerly into the arms of learning, that sister which, at least does not laugh in your face, and which always pays you, though in money that is sometimes a little hollow, for the attention which you have paid to her. Hence, he became more and more learned, and, at the same time, as a natural consequence, more and more rigid as a priest, more and more sad as a man.There are for each of us several parallelisms between our intelligence, our habits, and our character, which develop without a break, and break only in the great disturbances of life.As Claude Frollo had passed through nearly the entire circle of human learning--positive, exterior, and permissible--since his youth, he was obliged, unless he came to a halt, ~ubi defuit orbis~, to proceed further and seek other aliments for the insatiable activity of his intelligence.The antique symbol of the serpent biting its tail is, above all, applicable to science.It would appear that Claude Frollo had experienced this.Many grave persons affirm that, after having exhausted the ~fas~ of human learning, he had dared to penetrate into the ~nefas~.He had, they said, tasted in succession all the apples of the tree of knowledge, and, whether from hunger or disgust, had ended by tasting the forbidden fruit.He had taken his place by turns, as the reader has seen, in the conferences of the theologians in Sorbonne,--in the assemblies of the doctors of art, after the manner of Saint-Hilaire,--in the disputes of the decretalists, after the manner of Saint-Martin,--in the congregations of physicians at the holy water font of Notre- Dame, ~ad cupam Nostroe-Dominoe~.All the dishes permitted and approved, which those four great kitchens called the four faculties could elaborate and serve to the understanding, he had devoured, and had been satiated with them before his hunger was appeased.Then he had penetrated further, lower, beneath all that finished, material, limited knowledge; he had, perhaps, risked his soul, and had seated himself in the cavern at that mysterious table of the alchemists, of the astrologers, of the hermetics, of which Averroès, Gillaume de paris, and Nicolas Flamel hold the end in the Middle Ages; and which extends in the East, by the light of the seven- branched candlestick, to Solomon, pythagoras, and Zoroaster.That is, at least, what was supposed, whether rightly or not. It is certain that the archdeacon often visited the cemetery of the Saints-Innocents, where, it is true, his father and mother had been buried, with other victims of the plague of 1466; but that he appeared far less devout before the cross of their grave than before the strange figures with which the tomb of Nicolas Flamel and Claude pernelle, erected just beside it, was loaded.It is certain that he had frequently been seen to pass along the Rue des Lombards, and furtively enter a little house which formed the corner of the Rue des Ecrivans and the Rue Marivault.It was the house which Nicolas Flamel had built, where he had died about 1417, and which, constantly deserted since that time, had already begun to fall in ruins,--so greatly had the hermetics and the alchemists of all countries wasted away the walls, merely by carving their names upon them.Some neighbors even affirm that they had once seen, through an air-hole, Archdeacon Claude excavating, turning over, digging up the earth in the two cellars, whose supports had been daubed with numberless couplets and hieroglyphics by Nicolas Flamel himself.It was supposed that Flamel had buried the philosopher's stone in the cellar; and the alchemists, for the space of two centuries, from Magistri to Father pacifique, never ceased to worry the soil until the house, so cruelly ransacked and turned over, ended by falling into dust beneath their feet.Again, it is certain that the archdeacon had been seized with a singular passion for the symbolical door of Notre- Dame, that page of a conjuring book written in stone, by Bishop Guillaume de paris, who has, no doubt, been damned for having affixed so infernal a frontispiece to the sacred poem chanted by the rest of the edifice.Archdeacon Claude had the credit also of having fathomed the mystery of the colossus of Saint Christopher, and of that lofty, enigmatical statue which then stood at the entrance of the vestibule, and which the people, in derision, called "Monsieur Legris."But, what every one might have noticed was the interminable hours which he often employed, seated upon the parapet of the area in front of the church, in contemplating the sculptures of the front; examining now the foolish virgins with their lamps reversed, now the wise virgins with their lamps upright; again, calculating the angle of vision of that raven which belongs to the left front, and which is looking at a mysterious point inside the church, where is concealed the philosopher's stone, if it be not in the cellar of Nicolas Flamel.It was, let us remark in passing, a singular fate for the Church of Notre-Dame at that epoch to be so beloved, in two different degrees, and with so much devotion, by two beings so dissimilar as Claude and Quasimodo.Beloved by one, a sort of instinctive and savage half-man, for its beauty, for its stature, for the harmonies which emanated from its magnificent ensemble; beloved by the other, a learned and passionate imagination, for its myth, for the sense which it contains, for the symbolism scattered beneath the sculptures of its front,--like the first text underneath the second in a palimpsest,--in a word, for the enigma which it is eternally propounding to the understanding.Furthermore, it is certain that the archdeacon had established himself in that one of the two towers which looks upon the Grève, just beside the frame for the bells, a very secret little cell, into which no one, not even the bishop, entered without his leave, it was said.This tiny cell had formerly been made almost at the summit of the tower, among the ravens' nests, by Bishop Hugo de Besan?on* who had wrought sorcery there in his day.What that cell contained, no one knew; but from the strand of the Terrain, at night, there was often seen to appear, disappear, and reappear at brief and regular intervals, at a little dormer window opening upon the back of the tower, a certain red, intermittent, singular light which seemed to follow the panting breaths of a bellows, and to proceed from a flame, rather than from a light.In the darkness, at that height, it produced a singular effect; and the goodwives said: "There's the archdeacon blowing! hell is sparkling up yonder!"*Hugo II. de Bisuncio, 1326-1332.There were no great proofs of sorcery in that, after all, but there was still enough smoke to warrant a surmise of fire, and the archdeacon bore a tolerably formidable reputation.We ought to mention however, that the sciences of Egypt, that necromancy and magic, even the whitest, even the most innocent, had no more envenomed enemy, no more pitiless denunciator before the gentlemen of the officialty of Notre-Dame. Whether this was sincere horror, or the game played by the thief who shouts, "stop thief!" at all events, it did not prevent the archdeacon from being considered by the learned heads of the chapter, as a soul who had ventured into the vestibule of hell, who was lost in the caves of the cabal, groping amid the shadows of the occult sciences.Neither were the people deceived thereby; with any one who possessed any sagacity, Quasimodo passed for the demon; Claude Frollo, for the sorcerer.It was evident that the bellringer was to serve the archdeacon for a given time, at the end of which he would carry away the latter's soul, by way of payment.Thus the archdeacon, in spite of the excessive austerity of his life, was in bad odor among all pious souls; and there was no devout nose so inexperienced that it could not smell him out to be a magician.And if, as he grew older, abysses had formed in his science, they had also formed in his heart.That at least, is what one had grounds for believing on scrutinizing that face upon which the soul was only seen to shine through a sombre cloud. Whence that large, bald brow? that head forever bent? that breast always heaving with sighs?What secret thought caused his mouth to smile with so much bitterness, at the same moment that his scowling brows approached each other like two bulls on the point of fighting?Why was what hair he had left already gray?What was that internal fire which sometimes broke forth in his glance, to such a degree that his eye resembled a hole pierced in the wall of a furnace?These symptoms of a violent moral preoccupation, had acquired an especially high degree of intensity at the epoch when this story takes place.More than once a choir-boy had fled in terror at finding him alone in the church, so strange and dazzling was his look.More than once, in the choir, at the hour of the offices, his neighbor in the stalls had heard him mingle with the plain song, ~ad omnem tonum~, unintelligible parentheses.More than once the laundress of the Terrain charged "with washing the chapter" had observed, not without affright, the marks of nails and clenched fingers on the surplice of monsieur the archdeacon of Josas.However, he redoubled his severity, and had never been more exemplary.By profession as well as by character, he had always held himself aloof from women; he seemed to hate them more than ever.The mere rustling of a silken petticoat caused his hood to fall over his eyes.Upon this score he was so jealous of austerity and reserve, that when the Dame de Beaujeu, the king's daughter, came to visit the cloister of Notre-Dame, in the month of December, 1481, he gravely opposed her entrance, reminding the bishop of the statute of the Black Book, dating from the vigil of Saint-Barthélemy, 1334, which interdicts access to the cloister to "any woman whatever, old or young, mistress or maid." Upon which the bishop had been constrained to recite to him the ordinance of Legate Odo, which excepts certain great dames, ~aliquoe magnates mulieres, quoe sine scandalo vitari non possunt~. And again the archdeacon had protested, objecting that the ordinance of the legate, which dated back to 1207, was anterior by a hundred and twenty-seven years to the Black Book, and consequently was abrogated in fact by it.And he had refused to appear before the princess.It was also noticed that his horror for Bohemian women and gypsies had seemed to redouble for some time past.He had petitioned the bishop for an edict which expressly forbade the Bohemian women to come and dance and beat their tambourines on the place of the parvis; and for about the same length of time, he had been ransacking the mouldy placards of the officialty, in order to collect the cases of sorcerers and witches condemned to fire or the rope, for complicity in crimes with rams, sows, or goats.
或许您还会喜欢:
肖申克的救赎
作者:佚名
章节:37 人气:2
摘要:肖申克的救赎献给拉斯和弗洛伦斯·多尔我猜美国每个州立监狱和联邦监狱里,都有像我这样的一号人物,不论什么东西,我都能为你弄到手。无论是高级香烟或大麻(如果你偏好此道的话),或弄瓶白兰地来庆祝儿子或女儿高中毕业,总之差不多任何东西……我的意思是说,只要在合理范围内,我是有求必应;可是很多情况不一定都合情合理的。我刚满二十岁就来到肖申克监狱。 [点击阅读]
蝴蝶梦
作者:佚名
章节:39 人气:2
摘要:影片从梦中的女主人公---第一人称的'我'回忆往事开始。夜里,我又梦回曼陀丽。面对这堆被焚的中世纪建筑废墟,我又想起很多过去……那是从法国开始的。做为'陪伴'的我随范霍夫太太来到蒙特卡洛。一天,在海边我看到一个在陡崖边徘徊的男子。我以为他要投海,就叫出了声。他向我投来愤怒的一瞥。我知道我想错了,他可真是一个怪人。很巧,他竟同我们住在同一个饭店里。 [点击阅读]
请你帮我杀了她
作者:佚名
章节:75 人气:2
摘要:你知道吗,大夫,你并不是我回来以后看过的第一个心理医生。我刚回来的时候,我的家庭医生就给我推荐了一位。那人可不怎么样,他假装不知道我是谁,这也太假了——你要不知道我是谁,除非你又聋又瞎。每次我走在路上,转个身,似乎都会有拿着照相机的白痴从路边的灌木丛中跳出来。但在这一切倒霉事情发生之前呢?很多人从来都没有听说过温哥华岛,更不用说克莱顿瀑布区了。 [点击阅读]
道德情操论
作者:佚名
章节:58 人气:2
摘要:自从很久以前即1759年初《道德情操论》第一版问世以来,我想到了其中可作的一些修改,以及有关该学说的种种很好的说明。但是,我一生中的种种偶然事件必然使我全神贯注于各种工作,直到现在都妨碍我常想以小心谨慎和专心致志的态度进行的修订这一著作的工作。读者将在这一新版中,在第一卷第三篇的最末一章中,以及在第三卷第四篇的第一章中,看到我已作出的主要改动。第六卷,正如它在新版中呈现的那样,完全是新写的。 [点击阅读]
伦敦桥
作者:佚名
章节:124 人气:2
摘要:杰弗里。谢弗上校很喜欢他在萨尔瓦多的新生活。有人说这个巴西第三大城市非常迷人。这确实是个充满了欢乐的地方。他在瓜拉球巴海滩正对面租了一套豪华的六居室别墅。在这里,他每天喝着甘蔗甜酒和冰镇啤酒,间或去俱乐部打打网球。到了晚上,谢弗上校——这个绰号“鼬鼠”的变态杀手——就又操起了他的老本行,在这座老城阴暗狭窄、弯弯曲曲的街道上开始了狩猎。 [点击阅读]
偶发空缺
作者:佚名
章节:56 人气:2
摘要:6.11若发生如下三种情况之一,即认为偶发空缺出现:(1)地方议员未在规定时间内声明接受职位;(2)议会收到其辞职报告;(3)其死亡当天……——查尔斯·阿诺德-贝克《地方议会管理条例》,第七版星期天巴里·菲尔布拉泽不想出门吃晚饭。整个周末他都头痛欲裂,当地报纸约稿的截稿期马上就要到了,得拼命写完。 [点击阅读]
冰与火之歌4
作者:佚名
章节:86 人气:2
摘要:Chapter1序章“龙。”莫兰德边说,边从地上抓起一只干瘪的苹果,在双手之间丢来丢去。“扔啊。”外号“斯芬克斯”的拉蕾萨催促。他从箭囊里抽出一支箭,搭上弓弦。“我想看龙。”鲁尼在他们当中年纪最小,又矮又胖,尚有两岁才成年。“哪怕一眼都好。”我想萝希搂着我睡觉,佩特心想。 [点击阅读]
劳伦斯短篇小说集
作者:佚名
章节:20 人气:2
摘要:今年是20世纪英国最有成就、也是最有争议的作家之一——劳伦斯诞生!”!”0周年。这位不朽的文学大师在他近20年的创作生涯中为世人留下了!”0多部小说、3本游记、3卷短篇小说集、数本诗集、散文集、书信集,另有多幅美术作品,不愧为著作等身的一代文豪。戴维·赫伯特·劳伦斯(DavidHerbertLawrence)!”885年9月!”!”日出生在英国诺丁汉郡伊斯特伍德矿区。 [点击阅读]
双城记
作者:佚名
章节:58 人气:2
摘要:内容提要1757年12月的一个月夜,寓居巴黎的年轻医生梅尼特(Dr.Manette)散步时,突然被厄弗里蒙地侯爵(MarquisSt.Evremonde)兄弟强迫出诊。在侯爵府第中,他目睹一个发狂的绝色*农妇和一个身受剑伤的少年饮恨而死的惨状,并获悉侯爵兄弟为了片刻婬*乐杀害他们全家的内情。他拒绝侯爵兄弟的重金贿赂,写信向朝廷告发。 [点击阅读]
堂吉诃德
作者:佚名
章节:134 人气:2
摘要:【一】乍看似乎荒诞不经.实则隐含作者对西班牙现实深刻的理解.作者采用讽刺夸张的艺术手法.把现实与幻想结合起来.表达他对时代的见解.现实主义的描写在中占主导地位.在环境描写方面.与旧骑士小说的装饰性*风景描写截然不同.作者以史诗般的宏伟规模.以农村为主要舞台.出场以平民为主.人数近700多人.在这广阔的社会背景中.绘出一幅幅各具特色*又互相联系的社会画面.作者塑造人物的方法也是虚实结合的. [点击阅读]