51(y)(7)
用你喜欢的方式阅读你喜欢的小说
爱丽丝漫游奇境记英文版 - CHAPTER X The Lobster Quadrille
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. `Same as if he had a bone in his throat,' said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:--`You may not have lived much under the sea--' (`I haven't,' said Alice)-- `and perhaps you were never even introduced to a lobster--' (Alice began to say `I once tasted--' but checked herself hastily, and said `No, never') `--so you can have no idea what a delightful thing a Lobster Quadrille is!'`No, indeed,' said Alice. `What sort of a dance is it?'`Why,' said the Gryphon, `you first form into a line along the sea-shore--'`Two lines!' cried the Mock Turtle. `Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--'`THAT generally takes some time,' interrupted the Gryphon.`--you advance twice--'`Each with a lobster as a partner!' cried the Gryphon.`Of course,' the Mock Turtle said: `advance twice, set to partners--'`--change lobsters, and retire in same order,' continued the Gryphon.`Then, you know,' the Mock Turtle went on, `you throw the--'`The lobsters!' shouted the Gryphon, with a bound into the air.`--as far out to sea as you can--'`Swim after them!' screamed the Gryphon.`Turn a somersault in the sea!' cried the Mock Turtle, capering wildly about.`Change lobster's again!' yelled the Gryphon at the top of its voice.`Back to land again, and that's all the first figure,' said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice.`It must be a very pretty dance,' said Alice timidly.`Would you like to see a little of it?' said the Mock Turtle.`Very much indeed,' said Alice.`Come, let's try the first figure!' said the Mock Turtle to the Gryphon. `We can do without lobsters, you know. Which shall sing?'`Oh, YOU sing,' said the Gryphon. `I've forgotten the words.'So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:--`"Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail.See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance?Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?"You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance.`"What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?"'`Thank you, it's a very interesting dance to watch,' said Alice, feeling very glad that it was over at last: `and I do so like that curious song about the whiting!'`Oh, as to the whiting,' said the Mock Turtle, `they--you've seen them, of course?'`Yes,' said Alice, `I've often seen them at dinn--' she checked herself hastily.`I don't know where Dinn may be,' said the Mock Turtle, `but if you've seen them so often, of course you know what they're like.'`I believe so,' Alice replied thoughtfully. `They have their tails in their mouths--and they're all over crumbs.'`You're wrong about the crumbs,' said the Mock Turtle: `crumbs would all wash off in the sea. But they HAVE their tails in their mouths; and the reason is--' here the Mock Turtle yawned and shut his eyes.--`Tell her about the reason and all that,' he said to the Gryphon.`The reason is,' said the Gryphon, `that they WOULD go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all.'`Thank you,' said Alice, `it's very interesting. I never knew so much about a whiting before.'`I can tell you more than that, if you like,' said the Gryphon. `Do you know why it's called a whiting?'`I never thought about it,' said Alice. `Why?'`IT DOES THE BOOTS AND SHOES.' the Gryphon replied very solemnly.Alice was thoroughly puzzled. `Does the boots and shoes!' she repeated in a wondering tone.`Why, what are YOUR shoes done with?' said the Gryphon. `I mean, what makes them so shiny?'Alice looked down at them, and considered a little before she gave her answer. `They're done with blacking, I believe.'`Boots and shoes under the sea,' the Gryphon went on in a deep voice, `are done with a whiting. Now you know.'`And what are they made of?' Alice asked in a tone of great curiosity.`Soles and eels, of course,' the Gryphon replied rather impatiently: `any shrimp could have told you that.'`If I'd been the whiting,' said Alice, whose thoughts were still running on the song, `I'd have said to the porpoise, "Keep back, please: we don't want YOU with us!"'`They were obliged to have him with them,' the Mock Turtle said: `no wise fish would go anywhere without a porpoise.'`Wouldn't it really?' said Alice in a tone of great surprise.`Of course not,' said the Mock Turtle: `why, if a fish came to ME, and told me he was going a journey, I should say "With what porpoise?"'`Don't you mean "purpose"?' said Alice.`I mean what I say,' the Mock Turtle replied in an offended tone. And the Gryphon added `Come, let's hear some of YOUR adventures.'`I could tell you my adventures--beginning from this morning,' said Alice a little timidly: `but it's no use going back to yesterday, because I was a different person then.'`Explain all that,' said the Mock Turtle.`No, no! The adventures first,' said the Gryphon in an impatient tone: `explanations take such a dreadful time.'So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so VERY wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating `YOU ARE OLD, FATHER WILLIAM,' to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said `That's very curious.'`It's all about as curious as it can be,' said the Gryphon.`It all came different!' the Mock Turtle repeatedthoughtfully. `I should like to hear her try and repeat something now. Tell her to begin.' He looked at the Gryphon as if he thought it had some kind of authority over Alice.`Stand up and repeat "'TIS THE VOICE OF THE SLUGGARD,"' said the Gryphon.`How the creatures order one about, and make one repeat lessons!' thought Alice; `I might as well be at school at once.' However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:--`'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes.'[later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.]`That's different from what I used to say when I was a child,' said the Gryphon.`Well, I never heard it before,' said the Mock Turtle; `but it sounds uncommon nonsense.'Alice said nothing; she had sat down with her face in her hands, wondering if anything would EVER happen in a natural way again.`I should like to have it explained,' said the Mock Turtle.`She can't explain it,' said the Gryphon hastily. `Go on with the next verse.'`But about his toes?' the Mock Turtle persisted. `How COULD he turn them out with his nose, you know?'`It's the first position in dancing.' Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject.`Go on with the next verse,' the Gryphon repeated impatiently: `it begins "I passed by his garden."'Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:--`I passed by his garden, and marked, with one eye, How the Owl and the panther were sharing a pie--'[later editions continued as follows The panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the panther received knife and fork with a growl, And concluded the banquet--]`What IS the use of repeating all that stuff,' the Mock Turtle interrupted, `if you don't explain it as you go on? It's by far the most confusing thing I ever heard!'`Yes, I think you'd better leave off,' said the Gryphon: and Alice was only too glad to do so.`Shall we try another figure of the Lobster Quadrille?' the Gryphon went on. `Or would you like the Mock Turtle to sing you a song?'`Oh, a song, please, if the Mock Turtle would be so kind,' Alice replied, so eagerly that the Gryphon said, in a rather offended tone, `Hm! No accounting for tastes! Sing her "Turtle Soup," will you, old fellow?'The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:--`Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup! Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beautiful Soup!`Beautiful Soup! Who cares for fish, Game, or any other dish? Who would not give all else for two p ennyworth only of beautiful Soup? pennyworth only of beautiful Soup? Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beauti--FUL SOUp!'`Chorus again!' cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of `The trial's beginning!' was heard in the distance.`Come on!' cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song.`What trial is it?' Alice panted as she ran; but the Gryphon only answered `Come on!' and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:--`Soo--oop of the e--e--evening, Beautiful, beautiful Soup!'
或许您还会喜欢:
理想国
作者:佚名
章节:18 人气:0
摘要:柏拉图(公元前427年-347年)是古希腊的大哲学家,苏格拉底(公元前469年-399年)①的学生,亚里士多德(公元前384年-322年)的老师。他一生大部分时间居住在古希腊民族文化中心的雅典。他热爱祖国,热爱哲学。他的最高理想,哲学家应为政治家,政治家应为哲学家。哲学家不是躲在象牙塔里的书呆,应该学以致用,求诸实践。有哲学头脑的人,要有政权,有政权的人,要有哲学头脑。 [点击阅读]
理智与情感
作者:佚名
章节:59 人气:0
摘要:【作者简介】简·奥斯汀(1775~1817)英国女小说家。生于乡村小镇斯蒂文顿,父亲是当地教区牧师。奥斯丁没有上过正规学校,在父母指导下阅读了大量文学作品。她20岁左右开始写作,共发表了6部长篇小说。1811年出版的《理智和情感》是她的处女作,随后又接连发表了《傲慢与偏见》(1813)、《曼斯菲尔德花园》(1814)和《爱玛》(1815)。 [点击阅读]
琥珀望远镜
作者:佚名
章节:38 人气:0
摘要:猛兽们从深邃的山谷走来看着熟睡中的少女——威廉?布莱克紧挨着雪线有一个杜鹃花遮蔽的山谷,山谷里哗啦啦地流淌着一条乳白色的雪水融化而成的小溪,鸽子和红雀在巨大的松树间飞翔,在岩石和其下簇拥着的又直又硬的树叶间半遮半掩着一个洞。 [点击阅读]
瓦尔登湖
作者:佚名
章节:24 人气:0
摘要:这本书的思想是崇尚简朴生活,热爱大自然的风光,内容丰厚,意义深远,语言生动,意境深邃,就像是个智慧的老人,闪现哲理灵光,又有高山流水那样的境界。书中记录了作者隐居瓦尔登湖畔,与大自然水-乳-交融、在田园生活中感知自然重塑自我的奇异历程。读本书,能引领人进入一个澄明、恬美、素雅的世界。亨利·戴维·梭罗(1817-1862),美国超验主义作家。 [点击阅读]
生活在别处
作者:佚名
章节:18 人气:0
摘要:——读米兰·昆德拉《生活在别处》吕新雨生存于人类的文化传统之中,我们对于"诗"、"抒情"、"美"这样的字眼,总是保持着崇高的故意。人类不仅具有抒情的能力,而且具有这种需要,基于生存的需要。这样抒情诗就不仅仅是一个美学问题,而且是一个具有存在论性质的问题,抒情态度成为人类的一种生存范畴。 [点击阅读]
田园交响曲
作者:佚名
章节:14 人气:0
摘要:纪德是个不可替代的榜样在二十世纪法国作家中,若论哪一位最活跃,最独特,最重要,最喜欢颠覆,最爱惹是生非,最复杂,最多变,从而也最难捉摸,那么几乎可以肯定,非安德烈·纪德莫属。纪德的一生及其作品所构成的世界,就是一座现代的迷宫。这座迷宫迷惑了多少评论家,甚至迷惑诺贝尔文学奖评委们长达三十余年。这里顺便翻一翻诺贝尔文学奖这本老账,只为从一个侧面说明纪德为人和为文的复杂性,在他的迷宫里迷途不足为奇。 [点击阅读]
男人这东西
作者:佚名
章节:19 人气:0
摘要:对于性,少男们由于难以抑制自己而感到不安;与此同时,他们又抱有尝试性爱的愿望。因此,他们的实情是:置身于这两种互相矛盾的情感的夹缝中苦苦思索,闷闷不乐。无论男性还是女性,成长为响当当的人是极其不易的。在此,我们所说的“响当当的人”指的是无论在肉体还是在精神方面都健康且成熟的男人和女人。在成人之前,人,无一例外要逾越形形色色的障碍、壁垒。 [点击阅读]
畸形屋
作者:佚名
章节:26 人气:0
摘要:大战末期,我在埃及认识了苏菲亚-里奥奈兹。她在当地领事馆某部门担任一个相当高的管理职位。第一次见到她是在一个正式场会里,不久我便了解到她那令她登上那个职位的办事效率,尽管她还很年轻(当时她才二十二岁)。除了外貌让人看来极为顺眼之外,她还拥有清晰的头脑和令我觉得非常愉快的一本正经的幽默感。她是一个令人觉得特别容易交谈的对象,我们在一起吃过几次饭,偶尔跳跳舞,过得非常愉快。 [点击阅读]
癌症楼
作者:佚名
章节:69 人气:0
摘要:肖韦宏瑞典皇家学院将1970年度的诺贝尔文学奖授予苏联作家索尔仁尼琴,从而使前苏联与西方之间继“帕斯捷尔纳克事件”之后又一次出现了冷战的局面。从那时以来,索尔仁尼琴也由一个“持不同政见者”变为“流亡作家”,其创作活动变得更为复杂,更为引人注目。索尔仁尼琴于1918年12月11日生于北高加索的基斯洛沃茨克市。父亲曾在沙俄军队中供职,战死在德国;母亲系中学教员。 [点击阅读]
白发鬼
作者:佚名
章节:10 人气:0
摘要:诡怪的开场白此刻,在我面前,这所监狱里的心地善良的囚犯教诲师,正笑容可掬地等待着我开始讲述我的冗长的故事;在我旁边,教诲师委托的熟练的速记员已削好铅笔,正期待我开口。我要从现在起,按照善良的教诲师的劝告,一天讲一点,连日讲述我的不可思议的经历。教诲师说他想让人把我的口述速记下来,以后编成一部书出版。我也希望能那样。因为我的经历怪诞离奇,简直是世人做梦都想不到的。 [点击阅读]