51(y)(7)
用你喜欢的方式阅读你喜欢的小说
汤姆·索亚历险记 - Chapter 7
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  THE harder Tom tried to fasten his mind on his book, the more his ideas wandered. So at last, with a sigh and a yawn, he gave it up. It seemed to him that the noon recess would never come. The air was utterly dead. There was not a breath stirring. It was the sleepiest of sleepy days. The drowsing murmur of the five and twenty studying scholars soothed the soul like the spell that is in the murmur of bees. Away off in the flaming sunshine, Cardiff Hill lifted its soft green sides through a shimmering veil of heat, tinted with the purple of distance; a few birds floated on lazy wing high in the air; no other living thing was visible but some cows, and they were asleep. Tom's heart ached to be free, or else to have something of interest to do to pass the dreary time. His hand wandered into his pocket and his face lit up with a glow of gratitude that was prayer, though he did not know it. Then furtively the percussion-cap box came out. He released the tick and put him on the long flat desk. The creature probably glowed with a gratitude that amounted to prayer, too, at this moment, but it was premature: for when he started thankfully to travel off, Tom turned him aside with a pin and made him take a new direction.Tom's bosom friend sat next him, suffering just as Tom had been, and now he was deeply and gratefully interested in this entertainment in an instant. This bosom friend was Joe Harper. The two boys were sworn friends all the week, and embattled enemies on Saturdays. Joe took a pin out of his lapel and began to assist in exercising the prisoner. The sport grew in interest momently. Soon Tom said that they were interfering with each other, and neither getting the fullest benefit of the tick. So he put Joe's slate on the desk and drew a line down the middle of it from top to bottom."Now," said he, "as long as he is on your side you can stir him up and I'll let him alone; but if you let him get away and get on my side, you're to leave him alone as long as I can keep him from crossing over.""All right, go ahead; start him up."The tick escaped from Tom, presently, and crossed the equator. Joe harassed him awhile, and then he got away and crossed back again. This change of base occurred often. While one boy was worrying the tick with absorbing interest, the other would look on with interest as strong, the two heads bowed together over the slate, and the two souls dead to all things else. At last luck seemed to settle and abide with Joe. The tick tried this, that, and the other course, and got as excited and as anxious as the boys themselves, but time and again just as he would have victory in his very grasp, so to speak, and Tom's fingers would be twitching to begin, Joe's pin would deftly head him off, and keep possession. At last Tom could stand it no longer. The temptation was too strong. So he reached out and lent a hand with his pin. Joe was angry in a moment. Said he:"Tom, you let him alone.""I only just want to stir him up a little, Joe.""No, sir, it ain't fair; you just let him alone.""Blame it, I ain't going to stir him much.""Let him alone, I tell you.""I won't!""You shall -- he's on my side of the line.""Look here, Joe Harper, whose is that tick?""I don't care whose tick he is -- he's on my side of the line, and you sha'n't touch him.""Well, I'll just bet I will, though. He's my tick and I'll do what I blame please with him, or die!"A tremendous whack came down on Tom's shoulders, and its duplicate on Joe's; and for the space of two minutes the dust continued to fly from the two jackets and the whole school to enjoy it. The boys had been too absorbed to notice the hush that had stolen upon the school awhile before when the master came tiptoeing down the room and stood over them. He had contemplated a good part of the performance before he contributed his bit of variety to it.When school broke up at noon, Tom flew to Becky Thatcher, and whispered in her ear:"put on your bonnet and let on you're going home; and when you get to the corner, give the rest of 'em the slip, and turn down through the lane and come back. I'll go the other way and come it over 'em the same way."So the one went off with one group of scholars, and the other with another. In a little while the two met at the bottom of the lane, and when they reached the school they had it all to themselves. Then they sat together, with a slate before them, and Tom gave Becky the pencil and held her hand in his, guiding it, and so created another surprising house. When the interest in art began to wane, the two fell to talking. Tom was swimming in bliss. He said:"Do you love rats?""No! I hate them!""Well, I do, too -- live ones. But I mean dead ones, to swing round your head with a string.""No, I don't care for rats much, anyway. What I like is chewing-gum.""Oh, I should say so! I wish I had some now.""Do you? I've got some. I'll let you chew it awhile, but you must give it back to me."That was agreeable, so they chewed it turn about, and dangled their legs against the bench in excess of contentment."Was you ever at a circus?" said Tom."Yes, and my pa's going to take me again some time, if I'm good.""I been to the circus three or four times -- lots of times. Church ain't shucks to a circus. There's things going on at a circus all the time. I'm going to be a clown in a circus when I grow up.""Oh, are you! That will be nice. They're so lovely, all spotted up.""Yes, that's so. And they get slathers of money -- most a dollar a day, Ben Rogers says. Say, Becky, was you ever engaged?""What's that?""Why, engaged to be married.""No.""Would you like to?""I reckon so. I don't know. What is it like?""Like? Why it ain't like anything. You only just tell a boy you won't ever have anybody but him, ever ever ever, and then you kiss and that's all. Anybody can do it.""Kiss? What do you kiss for?""Why, that, you know, is to -- well, they always do that.""Everybody?""Why, yes, everybody that's in love with each other. Do you remember what I wrote on the slate?""Ye -- yes.""What was it?""I sha'n't tell you.""Shall I tell you?""Ye -- yes -- but some other time.""No, now.""No, not now -- to-morrow.""Oh, no, now. please, Becky -- I'll whisper it, I'll whisper it ever so easy."Becky hesitating, Tom took silence for consent, and passed his arm about her waist and whispered the tale ever so softly, with his mouth close to her ear. And then he added:"Now you whisper it to me -- just the same."She resisted, for a while, and then said:"You turn your face away so you can't see, and then I will. But you mustn't ever tell anybody -- will you, Tom? Now you won't, will you?""No, indeed, indeed I won't. Now, Becky."He turned his face away. She bent timidly around till her breath stirred his curls and whispered, "I -- love -- you!"Then she sprang away and ran around and around the desks and benches, with Tom after her, and took refuge in a corner at last, with her little white apron to her face. Tom clasped her about her neck and pleaded:"Now, Becky, it's all done -- all over but the kiss. Don't you be afraid of that -- it ain't anything at all. please, Becky." And he tugged at her apron and the hands.By and by she gave up, and let her hands drop; her face, all glowing with the struggle, came up and submitted. Tom kissed the red lips and said:"Now it's all done, Becky. And always after this, you know, you ain't ever to love anybody but me, and you ain't ever to marry anybody but me, ever never and forever. Will you?""No, I'll never love anybody but you, Tom, and I'll never marry anybody but you -- and you ain't to ever marry anybody but me, either.""Certainly. Of course. That's part of it. And always coming to school or when we're going home, you're to walk with me, when there ain't anybody looking -- and you choose me and I choose you at parties, because that's the way you do when you're engaged.""It's so nice. I never heard of it before.""Oh, it's ever so gay! Why, me and Amy Lawrence --"The big eyes told Tom his blunder and he stopped, confused."Oh, Tom! Then I ain't the first you've ever been engaged to!"The child began to cry. Tom said:"Oh, don't cry, Becky, I don't care for her any more.""Yes, you do, Tom -- you know you do."Tom tried to put his arm about her neck, but she pushed him away and turned her face to the wall, and went on crying. Tom tried again, with soothing words in his mouth, and was repulsed again. Then his pride was up, and he strode away and went outside. He stood about, restless and uneasy, for a while, glancing at the door, every now and then, hoping she would repent and come to find him. But she did not. Then he began to feel badly and fear that he was in the wrong. It was a hard struggle with him to make new advances, now, but he nerved himself to it and entered. She was still standing back there in the corner, sobbing, with her face to the wall. Tom's heart smote him. He went to her and stood a moment, not knowing exactly how to proceed. Then he said hesitatingly:"Becky, I -- I don't care for anybody but you."No reply -- but sobs."Becky" -- pleadingly. "Becky, won't you say something?"More sobs.Tom got out his chiefest jewel, a brass knob from the top of an andiron, and passed it around her so that she could see it, and said:"please, Becky, won't you take it?"She struck it to the floor. Then Tom marched out of the house and over the hills and far away, to return to school no more that day. presently Becky began to suspect. She ran to the door; he was not in sight; she flew around to the play-yard; he was not there. Then she called:"Tom! Come back, Tom!"She listened intently, but there was no answer. She had no companions but silence and loneliness. So she sat down to cry again and upbraid herself; and by this time the scholars began to gather again, and she had to hide her griefs and still her broken heart and take up the cross of a long, dreary, aching afternoon, with none among the strangers about her to exchange sorrows with.
或许您还会喜欢:
我的爸爸是吸血鬼
作者:佚名
章节:81 人气:2
摘要:序幕那是萨瓦纳的一个凉爽春夜,我的母亲走在石子路上,木屐像马蹄似的敲得鹅卵石哒哒响。她穿过一片盛开的杜鹃,再穿过铁兰掩映下的小橡树丛,来到一片绿色空地,边上有一个咖啡馆。我父亲在铁桌旁的一张凳子上坐着,桌上摊了两个棋盘,父亲出了一个车,仰头瞥见了我母亲,手不小心碰到了一个兵,棋子倒在桌面,滑下来,滚到一旁的走道上去了。母亲弯下身子,捡起棋子交还给他。 [点击阅读]
复活
作者:佚名
章节:136 人气:2
摘要:《马太福音》第十八章第二十一节至第二十二节:“那时彼得进前来,对耶稣说:主啊,我弟兄得罪我,我当饶恕他几次呢?到七次可以么?耶稣说:我对你说,不是到七次,乃是到七十个七次。”《马太福音》第七章第三节:“为什么看见你弟兄眼中有刺,却不想自己眼中有梁木呢?”《约翰福音》第八章第七节:“……你们中间谁是没有罪的,谁就可以先拿石头打她。 [点击阅读]
龙纹身的女孩
作者:佚名
章节:31 人气:2
摘要:这事每年都会发生,几乎成了惯例,而今天是他八十二岁生日。当花照例送达时,他拆开包皮装纸,拿起话筒打电话给退休后便搬到达拉纳省锡利扬湖的侦查警司莫瑞尔。他们不只同年,还是同日生,在这种情况下可说是一种讽刺。这位老警官正端着咖啡,坐等电话。“东西到了。”“今年是什么花?”“不知道是哪一种,我得去问人。是白色的。”“没有信吧,我猜。”“只有花。框也和去年一样,自己做的。”“邮戳呢?”“斯德哥尔摩。 [点击阅读]
儿子与情人
作者:佚名
章节:134 人气:2
摘要:戴维。赫伯特。劳伦斯是二十世纪杰出的英国小说家,被称为“英国文学史上最伟大的人物之一”。劳伦斯于1885年9月11日诞生在诺丁汉郡伊斯特伍德矿区一个矿工家庭。做矿工的父亲因贫困而粗暴、酗酒,与当过教师的母亲感情日渐冷淡。母亲对儿子的畸型的爱,使劳伦斯长期依赖母亲而难以形成独立的人格和健全的性爱能力。直到1910年11月,母亲病逝后,劳伦斯才挣扎着走出畸形母爱的怪圈。 [点击阅读]
双城记英文版
作者:佚名
章节:45 人气:2
摘要:It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light [点击阅读]
哲理散文(外国卷)
作者:佚名
章节:195 人气:2
摘要:○威廉·赫兹里特随着年岁的增多,我们越来越深切地感到时间的宝贵。确实,世上任何别的东西,都没有时间重要。对待时间,我们也变得吝啬起来。我们企图阻挡时间老人的最后的蹒跚脚步,让他在墓穴的边缘多停留片刻。不息的生命长河怎么竟会干涸?我们百思不得其解。 [点击阅读]
安妮日记英文版
作者:佚名
章节:192 人气:2
摘要:Frank and Mirjam Pressler Translated by Susan MassottyBOOK FLAPAnne Frank's The Diary of a Young Girl is among the most enduring documents of the twentieth century. [点击阅读]
大侦探十二奇案
作者:佚名
章节:12 人气:3
摘要:赫尔克里·波洛的住所基本上是现代化装饰,闪亮着克罗米光泽。几把安乐椅尽管铺着舒服的垫子,外形轮廓却是方方正正的,很不协调。赫尔克里·波洛坐在其中一把椅子上——干净利落地坐在椅子正中间。对面一张椅子上坐着万灵学院院士伯顿博士,他正在有滋有味地呷着波洛敬的一杯“穆顿·罗德希尔德”牌葡萄酒。伯顿博士可没有什么干净可言。他胖胖的身材,邋里邋遢。乱蓬蓬的白发下面那张红润而慈祥的脸微笑着。 [点击阅读]
日本的黑雾
作者:佚名
章节:86 人气:2
摘要:松本清张是日本当代着名的小说家,一九〇九年生于福冈县小仓市。高小毕业后,曾在电机厂、石版印刷厂做过工,生活艰苦。自一九三八年起,先后在朝日新闻社九州岛分社、西部总社、东京总社任职,同时练习写作。一九五〇年发表第一篇作品《西乡钞票》,借明治初期西乡隆盛领导的西乡军滥发军票造成的混乱状况来影射战后初期日本通货膨胀、钞票贬值的时局。一九五二年,以《〈小仓日记〉传》获芥川奖,从此登上文坛。 [点击阅读]
十字军骑士
作者:佚名
章节:103 人气:2
摘要:——《十字军骑士》亨利克·显克维奇是我国读者熟悉的波兰著名作家。他的历史长篇小说《你往何处去》和短篇小说集早已介绍到我国来了。《十字军骑士》是作者另一部重要的历史长篇小说,这次介绍给我国读者,将使我国读者对这位作家得到进一步的了解。亨利克·显克维奇一八四六年五月四日生于波兰一个地主家庭。他的早期作品大多描写波兰农民的生活,对于农民的艰苦劳动、悲惨生活有所反映。 [点击阅读]