51(y)(7)
用你喜欢的方式阅读你喜欢的小说
巴黎圣母院英文版 - BOOK ELEVENTH CHAPTER I.THE LITTLE SHOE. Page 4
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  The recluse had gone and seated herself by her daughter, covering her with her body, in front of her, with staring eyes, listening to the poor child, who did not stir, but who kept murmuring in a low voice, these words only, "phoebus! phoebus!"In proportion as the work of the demolishers seemed to advance, the mother mechanically retreated, and pressed the young girl closer and closer to the wall.All at once, the recluse beheld the stone (for she was standing guard and never took her eyes from it), move, and she heard Tristan's voice encouraging the workers.Then she aroused from the depression into which she had fallen during the last few moments, cried out, and as she spoke, her voice now rent the ear like a saw, then stammered as though all kind of maledictions were pressing to her lips to burst forth at once."Ho! ho! ho!Why this is terrible!You are ruffians! Are you really going to take my daughter?Oh! the cowards! Oh! the hangman lackeys! the wretched, blackguard assassins! Help! help! fire!Will they take my child from me like this?Who is it then who is called the good God?"Then, addressing Tristan, foaming at the mouth, with wild eyes, all bristling and on all fours like a female panther,--"Draw near and take my daughter!Do not you understand that this woman tells you that she is my daughter?Do you know what it is to have a child?Eh! lynx, have you never lain with your female? have you never had a cub? and if you have little ones, when they howl have you nothing in your vitals that moves?""Throw down the stone," said Tristan; "it no longer holds."The crowbars raised the heavy course.It was, as we have said, the mother's last bulwark.She threw herself upon it, she tried to hold it back; she scratched the stone with her nails, but the massive block, set in movement by six men, escaped her and glided gently to the ground along the iron levers.The mother, perceiving an entrance effected, fell down in front of the opening, barricading the breach with her body, beating the pavement with her head, and shrieking with a voice rendered so hoarse by fatigue that it was hardly audible,--"Help! fire! fire!""Now take the wench," said Tristan, still impassive.The mother gazed at the soldiers in such formidable fashion that they were more inclined to retreat than to advance."Come, now," repeated the provost."Here you, Rennet Cousin!"No one took a step.The provost swore,--"~Tête de Christ~! my men of war! afraid of a woman!""Monseigneur," said Rennet, "do you call that a woman?""She has the mane of a lion," said another."Come!" repeated the provost, "the gap is wide enough. Enter three abreast, as at the breach of pontoise.Let us make an end of it, death of Mahom!I will make two pieces of the first man who draws back!"placed between the provost and the mother, both threatening, the soldiers hesitated for a moment, then took their resolution, and advanced towards the Rat-Hole.When the recluse saw this, she rose abruptly on her knees, flung aside her hair from her face, then let her thin flayed hands fall by her side.Then great tears fell, one by one, from her eyes; they flowed down her cheeks through a furrow, like a torrent through a bed which it has hollowed for itself.At the same time she began to speak, but in a voice so supplicating, so gentle, so submissive, so heartrending, that more than one old convict-warder around Tristan who must have devoured human flesh wiped his eyes."Messeigneurs! messieurs the sergeants, one word.There is one thing which I must say to you.She is my daughter, do you see?my dear little daughter whom I had lost! Listen.It is quite a history.Consider that I knew the sergeants very well.They were always good to me in the days when the little boys threw stones at me, because I led a life of pleasure.Do you see?You will leave me my child when you know!I was a poor woman of the town.It was the Bohemians who stole her from me.And I kept her shoe for fifteen years.Stay, here it is.That was the kind of foot which she had.At Reims!La Chantefleurie!Rue Folle- peine!perchance, you knew about that.It was I.In your youth, then, there was a merry time, when one passed good hours.You will take pity on me, will you not, gentlemen? The gypsies stole her from me; they hid her from me for fifteen years.I thought her dead.Fancy, my good friends, believed her to be dead.I have passed fifteen years here in this cellar, without a fire in winter.It is hard.The poor, dear little shoe!I have cried so much that the good God has heard me.This night he has given my daughter back to me. It is a miracle of the good God.She was not dead.You will not take her from me, I am sure.If it were myself, I would say nothing; but she, a child of sixteen!Leave her time to see the sun!What has she done to you? nothing at all.Nor have I.If you did but know that she is all I have, that I am old, that she is a blessing which the Holy Virgin has sent to me!And then, you are all so good! You did not know that she was my daughter; but now you do know it.Oh!I love her!Monsieur, the grand provost. I would prefer a stab in my own vitals to a scratch on her finger!You have the air of such a good lord!What I have told you explains the matter, does it not?Oh! if you have had a mother, monsiegneur! you are the captain, leave me my child!Consider that I pray you on my knees, as one prays to Jesus Christ!I ask nothing of any one; I am from Reims, gentlemen; I own a little field inherited from my uncle, Mahiet pradon.I am no beggar.I wish nothing, but I do want my child! oh!I want to keep my child!The good God, who is the master, has not given her back to me for nothing!The king! you say the king!It would not cause him much pleasure to have my little daughter killed! And then, the king is good! she is my daughter! she is my own daughter!She belongs not to the king! she is not yours!I want to go away! we want to go away! and when two women pass, one a mother and the other a daughter, one lets them go!Let us pass! we belong in Reims.Oh! you are very good, messieurs the sergeants, I love you all.You will not take my dear little one, it is impossible!It is utterly impossible, is it not?My child, my child!"We will not try to give an idea of her gestures, her tone, of the tears which she swallowed as she spoke, of the hands which she clasped and then wrung, of the heart-breaking smiles, of the swimming glances, of the groans, the sighs, the miserable and affecting cries which she mingled with her disordered, wild, and incoherent words.When she became silent Tristan l'Hermite frowned, but it was to conceal a tear which welled up in his tiger's eye.He conquered this weakness, however, and said in a curt tone,--"The king wills it."Then he bent down to the ear of Rennet Cousin, and said to him in a very low tone,--"Make an end of it quickly!" possibly, the redoubtable provost felt his heart also failing him.The executioner and the sergeants entered the cell.The mother offered no resistance, only she dragged herself towards her daughter and threw herself bodily upon her. The gypsy beheld the soldiers approach.The horror of death reanimated her,--"Mother!" she shrieked, in a tone of indescribable distress, "Mother! they are coming! defend me!""Yes, my love, I am defending you!" replied the mother, in a dying voice; and clasping her closely in her arms, she covered her with kisses.The two lying thus on the earth, the mother upon the daughter, presented a spectacle worthy of pity.Rennet Cousin grasped the young girl by the middle of her body, beneath her beautiful shoulders.When she felt that hand, she cried, "Heuh!" and fainted.The executioner who was shedding large tears upon her, drop by drop, was about to bear her away in his arms.He tried to detach the mother, who had, so to speak, knotted her hands around her daughter's waist; but she clung so strongly to her child, that it was impossible to separate them.Then Rennet Cousin dragged the young girl outside the cell, and the mother after her.The mother's eyes were also closed.At that moment, the sun rose, and there was already on the place a fairly numerous assembly of people who looked on from a distance at what was being thus dragged along the pavement to the gibbet.For that was provost Tristan's way at executions.He had a passion for preventing the approach of the curious.There was no one at the windows.Only at a distance, at the summit of that one of the towers of Notre-Dame which commands the Grève, two men outlined in black against the light morning sky, and who seemed to be looking on, were visible.Rennet Cousin paused at the foot of the fatal ladder, with that which he was dragging, and, barely breathing, with so much pity did the thing inspire him, he passed the rope around the lovely neck of the young girl.The unfortunate child felt the horrible touch of the hemp.She raised her eyelids, and saw the fleshless arm of the stone gallows extended above her head.Then she shook herself and shrieked in a loud and heartrending voice: "No! no!I will not!" Her mother, whose head was buried and concealed in her daughter's garments, said not a word; only her whole body could be seen to quiver, and she was heard to redouble her kisses on her child.The executioner took advantage of this moment to hastily loose the arms with which she clasped the condemned girl.Either through exhaustion or despair, she let him have his way.Then he took the young girl on his shoulder, from which the charming creature hung, gracefully bent over his large head.Then he set his foot on the ladder in order to ascend.At that moment, the mother who was crouching on the pavement, opened her eyes wide.Without uttering a cry, she raised herself erect with a terrible expression; then she flung herself upon the hand of the executioner, like a beast on its prey, and bit it.It was done like a flash of lightning.The headsman howled with pain.Those near by rushed up. With difficulty they withdrew his bleeding hand from the mother's teeth.She preserved a profound silence.They thrust her back with much brutality, and noticed that her head fell heavily on the pavement.They raised her, she fell back again.She was dead.The executioner, who had not loosed his hold on the young girl, began to ascend the ladder once more.
或许您还会喜欢:
芥川龙之介
作者:佚名
章节:32 人气:0
摘要:某日傍晚,有一家将,在罗生门下避雨。宽广的门下,除他以外,没有别人,只在朱漆斑驳的大圆柱上,蹲着一只蟋蟀。罗生门正当朱雀大路,本该有不少戴女笠和乌软帽的男女行人,到这儿来避雨,可是现在却只有他一个。这是为什么呢,因为这数年来,接连遭了地震、台风、大火、饥懂等几次灾难,京城已格外荒凉了。照那时留下来的记载,还有把佛像、供具打碎,将带有朱漆和飞金的木头堆在路边当柴卖的。 [点击阅读]
花儿无价
作者:佚名
章节:8 人气:0
摘要:一过晚上八点,商业街上营业时间最长的中华荞麦店也打烊了,小城顿时漆黑一片,复归寂静。夏季里,商家的经营对象是从东京、大阪等地回来省亲的人们,因此,常常会有许多店铺营业到很晚。可是,自秋风初起,东北小城的夜幕就开始早早降临了。晚上十点,城边的卡拉OK快餐店也关了门。几个手握麦克风、狂唱到最后的男女客人走出来,各个怕冷似地缩着身子,一面商量着接下来去何处,一面钻进停在路边的汽车。 [点击阅读]
苦行记
作者:佚名
章节:62 人气:0
摘要:译序《苦行记》是美国著名现实主义作家、幽默大师马克·吐温的一部半自传体著作,作者以夸张的手法记录了他1861—一1865年间在美国西部地区的冒险生活。书中的情节大多是作者自己当年的所见所闻和亲身经历,我们可以在他的自传里发现那一系列真实的素材,也可以在他的其他作品中看到这些情节的艺术再现及作者审美趣旨的发展。《苦行记》也是十九世纪淘金热时期美国西部奇迹般繁荣的写照。 [点击阅读]
英国病人
作者:佚名
章节:11 人气:0
摘要:内容简介1996年囊获9项奥斯卡大奖的电影《英国病人》,早已蜚声影坛,成为世界经典名片,而它正是改编于加拿大作家迈克尔·翁达尔的同名小说...一部《英国病人》让他一举摘得了英国小说的最高奖项———布克奖(1992)。翁达杰的作品,国内鲜有译介(当年无论是电影《英国病人》还是图书《英国病人》,都没能引发一场翁达杰热)。这不能不说是一种遗憾。 [点击阅读]
苹果树
作者:佚名
章节:12 人气:0
摘要:“那苹果树、那歌声和那金子。”墨雷译《攸里披底斯的〈希波勒特斯〉》在他们的银婚日,艾舍斯特和妻子坐着汽车,行驶在荒原的外边,要到托尔基去过夜,圆满地结束这个节日,因为那里是他们初次相遇的地方。这是斯苔拉·艾舍斯特的主意,在她的性格里是有点儿多情色彩的。 [点击阅读]
茶花女
作者:佚名
章节:34 人气:0
摘要:玛格丽特原来是个贫苦的乡下姑娘,来到巴黎后,开始了卖笑生涯。由于生得花容月貌,巴黎的贵族公子争相追逐,成了红极一时的“社交明星”。她随身的装扮总是少不了一束茶花,人称“茶花女”。茶花女得了肺病,在接受矿泉治疗时,疗养院里有位贵族小姐,身材、长相和玛格丽特差不多,只是肺病已到了第三期,不久便死了。 [点击阅读]
草叶集
作者:佚名
章节:364 人气:0
摘要:作者:瓦尔特·惠特曼来吧,我的灵魂说,让我们为我的肉体写下这样的诗,(因为我们是一体,)以便我,要是死后无形地回来,或者离此很远很远,在别的天地里,在那里向某些同伙们再继续歌唱时,(合着大地的土壤,树木,天风,和激荡的海水,)我可以永远欣慰地唱下去,永远永远地承认这些是我的诗因为我首先在此时此地,代表肉体和灵魂,给它们签下我的名字。 [点击阅读]
荒原狼
作者:佚名
章节:9 人气:0
摘要:本书内容是一个我们称之为“荒原粮”的人留下的自述。他之所以有此雅号是因为他多次自称“荒原狼”。他的文稿是否需要加序,我们可以姑且不论;不过,我觉得需要在荒原狼的自述前稍加几笔,记下我对他的回忆。他的事儿我知道得很少;他过去的经历和出身我一概不知。可是,他的性格给我留下了强烈的印象,不管怎么说,我对他十分同情。荒原狼年近五十。 [点击阅读]
荒原追踪
作者:佚名
章节:20 人气:0
摘要:由于形势所迫,我同温内图分手了,他得去追捕杀人犯桑特。那时我并没料到,我得过几个月才能再见到我这位红种人朋友和结拜兄弟。因为事件以后的进展同我当时想象的完全不一样。我们——塞姆-霍金斯、迪克-斯通、威尔-帕克和我,一路真正的急行军后骑马到了南阿姆斯河流入雷德河的入口处,温内图曾把这条河称为纳基托什的鲍克索河。我们希望在这里碰上温内阁的一个阿帕奇人。遗憾的是这个愿望没有实现。 [点击阅读]
荒岛夺命案
作者:佚名
章节:39 人气:0
摘要:一部优秀的通俗小说不仅应明白晓畅,紧密联系社会现实和群众生活,而且应该成为社会文化的窗口,使读者可以从中管窥一个社会的政治、经济、历史、法律等方方面面的情况。美国小说家内尔森-德米勒于一九九七年写出的《荒岛夺命案》正是这样一部不可多得的佳作。作者以其超凡的叙事才能,将金钱、法律、谋杀、爱情、正义与邪恶的斗争等融为一炉,演释出一部情节曲折、扣人心弦而又发人深思的侦探小说。 [点击阅读]