51(y)(7)
用你喜欢的方式阅读你喜欢的小说
巴黎圣母院英文版 - BOOK FOURTH CHAPTER V.MORE ABOUT CLAUDE FROLLO.
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  In 1482, Quasimodo was about twenty years of age; Claude Frollo, about thirty-six.One had grown up, the other had grown old.Claude Frollo was no longer the simple scholar of the college of Torch, the tender protector of a little child, the young and dreamy philosopher who knew many things and was ignorant of many.He was a priest, austere, grave, morose; one charged with souls; monsieur the archdeacon of Josas, the bishop's second acolyte, having charge of the two deaneries of Montlhéry, and Chateaufort, and one hundred and seventy-four country curacies.He was an imposing and sombre personage, before whom the choir boys in alb and in jacket trembled, as well as the machicots*, and the brothers of Saint-Augustine and the matutinal clerks of Notre-Dame, when he passed slowly beneath the lofty arches of the choir, majestic, thoughtful, with arms folded and his head so bent upon his breast that all one saw of his face was his large, bald brow.*An official of Notre-Dame, lower than a beneficed clergyman, higher than simple paid chanters.Dom Claude Frollo had, however, abandoned neither science nor the education of his young brother, those two occupations of his life.But as time went on, some bitterness had been mingled with these things which were so sweet.In the long run, says paul Diacre, the best lard turns rancid.Little Jehan Frollo, surnamed (~du Moulin~) "of the Mill" because of the place where he had been reared, had not grown up in the direction which Claude would have liked to impose upon him. The big brother counted upon a pious, docile, learned, and honorable pupil.But the little brother, like those young trees which deceive the gardener's hopes and turn obstinately to the quarter whence they receive sun and air, the little brother did not grow and did not multiply, but only put forth fine bushy and luxuriant branches on the side of laziness, ignorance, and debauchery.He was a regular devil, and a very disorderly one, who made Dom Claude scowl; but very droll and very subtle, which made the big brother smile.Claude had confided him to that same college of Torchi where he had passed his early years in study and meditation; and it was a grief to him that this sanctuary, formerly edified by the name of Frollo, should to-day be scandalized by it. He sometimes preached Jehan very long and severe sermons, which the latter intrepidly endured.After all, the young scapegrace had a good heart, as can be seen in all comedies. But the sermon over, he none the less tranquilly resumed his course of seditions and enormities.Now it was a ~bejaune~ or yellow beak (as they called the new arrivals at the university), whom he had been mauling by way of welcome; a precious tradition which has been carefully preserved to our own day. Again, he had set in movement a band of scholars, who had flung themselves upon a wine-shop in classic fashion, quasi ~classico excitati~, had then beaten the tavern-keeper "with offensive cudgels," and joyously pillaged the tavern, even to smashing in the hogsheads of wine in the cellar.And then it was a fine report in Latin, which the sub-monitor of Torchi carried piteously to Dom Claude with this dolorous marginal comment,--~Rixa; prima causa vinum optimum potatum~.Finally, it was said, a thing quite horrible in a boy of sixteen, that his debauchery often extended as far as the Rue de Glatigny.Claude, saddened and discouraged in his human affections, by all this, had flung himself eagerly into the arms of learning, that sister which, at least does not laugh in your face, and which always pays you, though in money that is sometimes a little hollow, for the attention which you have paid to her. Hence, he became more and more learned, and, at the same time, as a natural consequence, more and more rigid as a priest, more and more sad as a man.There are for each of us several parallelisms between our intelligence, our habits, and our character, which develop without a break, and break only in the great disturbances of life.As Claude Frollo had passed through nearly the entire circle of human learning--positive, exterior, and permissible--since his youth, he was obliged, unless he came to a halt, ~ubi defuit orbis~, to proceed further and seek other aliments for the insatiable activity of his intelligence.The antique symbol of the serpent biting its tail is, above all, applicable to science.It would appear that Claude Frollo had experienced this.Many grave persons affirm that, after having exhausted the ~fas~ of human learning, he had dared to penetrate into the ~nefas~.He had, they said, tasted in succession all the apples of the tree of knowledge, and, whether from hunger or disgust, had ended by tasting the forbidden fruit.He had taken his place by turns, as the reader has seen, in the conferences of the theologians in Sorbonne,--in the assemblies of the doctors of art, after the manner of Saint-Hilaire,--in the disputes of the decretalists, after the manner of Saint-Martin,--in the congregations of physicians at the holy water font of Notre- Dame, ~ad cupam Nostroe-Dominoe~.All the dishes permitted and approved, which those four great kitchens called the four faculties could elaborate and serve to the understanding, he had devoured, and had been satiated with them before his hunger was appeased.Then he had penetrated further, lower, beneath all that finished, material, limited knowledge; he had, perhaps, risked his soul, and had seated himself in the cavern at that mysterious table of the alchemists, of the astrologers, of the hermetics, of which Averroès, Gillaume de paris, and Nicolas Flamel hold the end in the Middle Ages; and which extends in the East, by the light of the seven- branched candlestick, to Solomon, pythagoras, and Zoroaster.That is, at least, what was supposed, whether rightly or not. It is certain that the archdeacon often visited the cemetery of the Saints-Innocents, where, it is true, his father and mother had been buried, with other victims of the plague of 1466; but that he appeared far less devout before the cross of their grave than before the strange figures with which the tomb of Nicolas Flamel and Claude pernelle, erected just beside it, was loaded.It is certain that he had frequently been seen to pass along the Rue des Lombards, and furtively enter a little house which formed the corner of the Rue des Ecrivans and the Rue Marivault.It was the house which Nicolas Flamel had built, where he had died about 1417, and which, constantly deserted since that time, had already begun to fall in ruins,--so greatly had the hermetics and the alchemists of all countries wasted away the walls, merely by carving their names upon them.Some neighbors even affirm that they had once seen, through an air-hole, Archdeacon Claude excavating, turning over, digging up the earth in the two cellars, whose supports had been daubed with numberless couplets and hieroglyphics by Nicolas Flamel himself.It was supposed that Flamel had buried the philosopher's stone in the cellar; and the alchemists, for the space of two centuries, from Magistri to Father pacifique, never ceased to worry the soil until the house, so cruelly ransacked and turned over, ended by falling into dust beneath their feet.Again, it is certain that the archdeacon had been seized with a singular passion for the symbolical door of Notre- Dame, that page of a conjuring book written in stone, by Bishop Guillaume de paris, who has, no doubt, been damned for having affixed so infernal a frontispiece to the sacred poem chanted by the rest of the edifice.Archdeacon Claude had the credit also of having fathomed the mystery of the colossus of Saint Christopher, and of that lofty, enigmatical statue which then stood at the entrance of the vestibule, and which the people, in derision, called "Monsieur Legris."But, what every one might have noticed was the interminable hours which he often employed, seated upon the parapet of the area in front of the church, in contemplating the sculptures of the front; examining now the foolish virgins with their lamps reversed, now the wise virgins with their lamps upright; again, calculating the angle of vision of that raven which belongs to the left front, and which is looking at a mysterious point inside the church, where is concealed the philosopher's stone, if it be not in the cellar of Nicolas Flamel.It was, let us remark in passing, a singular fate for the Church of Notre-Dame at that epoch to be so beloved, in two different degrees, and with so much devotion, by two beings so dissimilar as Claude and Quasimodo.Beloved by one, a sort of instinctive and savage half-man, for its beauty, for its stature, for the harmonies which emanated from its magnificent ensemble; beloved by the other, a learned and passionate imagination, for its myth, for the sense which it contains, for the symbolism scattered beneath the sculptures of its front,--like the first text underneath the second in a palimpsest,--in a word, for the enigma which it is eternally propounding to the understanding.Furthermore, it is certain that the archdeacon had established himself in that one of the two towers which looks upon the Grève, just beside the frame for the bells, a very secret little cell, into which no one, not even the bishop, entered without his leave, it was said.This tiny cell had formerly been made almost at the summit of the tower, among the ravens' nests, by Bishop Hugo de Besan?on* who had wrought sorcery there in his day.What that cell contained, no one knew; but from the strand of the Terrain, at night, there was often seen to appear, disappear, and reappear at brief and regular intervals, at a little dormer window opening upon the back of the tower, a certain red, intermittent, singular light which seemed to follow the panting breaths of a bellows, and to proceed from a flame, rather than from a light.In the darkness, at that height, it produced a singular effect; and the goodwives said: "There's the archdeacon blowing! hell is sparkling up yonder!"*Hugo II. de Bisuncio, 1326-1332.There were no great proofs of sorcery in that, after all, but there was still enough smoke to warrant a surmise of fire, and the archdeacon bore a tolerably formidable reputation.We ought to mention however, that the sciences of Egypt, that necromancy and magic, even the whitest, even the most innocent, had no more envenomed enemy, no more pitiless denunciator before the gentlemen of the officialty of Notre-Dame. Whether this was sincere horror, or the game played by the thief who shouts, "stop thief!" at all events, it did not prevent the archdeacon from being considered by the learned heads of the chapter, as a soul who had ventured into the vestibule of hell, who was lost in the caves of the cabal, groping amid the shadows of the occult sciences.Neither were the people deceived thereby; with any one who possessed any sagacity, Quasimodo passed for the demon; Claude Frollo, for the sorcerer.It was evident that the bellringer was to serve the archdeacon for a given time, at the end of which he would carry away the latter's soul, by way of payment.Thus the archdeacon, in spite of the excessive austerity of his life, was in bad odor among all pious souls; and there was no devout nose so inexperienced that it could not smell him out to be a magician.And if, as he grew older, abysses had formed in his science, they had also formed in his heart.That at least, is what one had grounds for believing on scrutinizing that face upon which the soul was only seen to shine through a sombre cloud. Whence that large, bald brow? that head forever bent? that breast always heaving with sighs?What secret thought caused his mouth to smile with so much bitterness, at the same moment that his scowling brows approached each other like two bulls on the point of fighting?Why was what hair he had left already gray?What was that internal fire which sometimes broke forth in his glance, to such a degree that his eye resembled a hole pierced in the wall of a furnace?These symptoms of a violent moral preoccupation, had acquired an especially high degree of intensity at the epoch when this story takes place.More than once a choir-boy had fled in terror at finding him alone in the church, so strange and dazzling was his look.More than once, in the choir, at the hour of the offices, his neighbor in the stalls had heard him mingle with the plain song, ~ad omnem tonum~, unintelligible parentheses.More than once the laundress of the Terrain charged "with washing the chapter" had observed, not without affright, the marks of nails and clenched fingers on the surplice of monsieur the archdeacon of Josas.However, he redoubled his severity, and had never been more exemplary.By profession as well as by character, he had always held himself aloof from women; he seemed to hate them more than ever.The mere rustling of a silken petticoat caused his hood to fall over his eyes.Upon this score he was so jealous of austerity and reserve, that when the Dame de Beaujeu, the king's daughter, came to visit the cloister of Notre-Dame, in the month of December, 1481, he gravely opposed her entrance, reminding the bishop of the statute of the Black Book, dating from the vigil of Saint-Barthélemy, 1334, which interdicts access to the cloister to "any woman whatever, old or young, mistress or maid." Upon which the bishop had been constrained to recite to him the ordinance of Legate Odo, which excepts certain great dames, ~aliquoe magnates mulieres, quoe sine scandalo vitari non possunt~. And again the archdeacon had protested, objecting that the ordinance of the legate, which dated back to 1207, was anterior by a hundred and twenty-seven years to the Black Book, and consequently was abrogated in fact by it.And he had refused to appear before the princess.It was also noticed that his horror for Bohemian women and gypsies had seemed to redouble for some time past.He had petitioned the bishop for an edict which expressly forbade the Bohemian women to come and dance and beat their tambourines on the place of the parvis; and for about the same length of time, he had been ransacking the mouldy placards of the officialty, in order to collect the cases of sorcerers and witches condemned to fire or the rope, for complicity in crimes with rams, sows, or goats.
或许您还会喜欢:
我是猫
作者:佚名
章节:23 人气:0
摘要:夏目漱石,日本近代作家,生于江户的牛迂马场下横町(今东京都新宿区喜久井町)一个小吏家庭,是家中末子。夏目漱石在日本近代文学史上享有很高的地位,被称为“国民大作家”。代表作有《过了春分时节》《行人》《心》三部曲。 [点击阅读]
我的名字叫红
作者:佚名
章节:58 人气:0
摘要:如今我已是一个死人,成了一具躺在井底的死尸。尽管我已经死了很久,心脏也早已停止了跳动,但除了那个卑鄙的凶手之外没人知道我发生了什么事。而他,那个混蛋,则听了听我是否还有呼吸,摸了摸我的脉搏以确信他是否已把我干掉,之后又朝我的肚子踹了一脚,把我扛到井边,搬起我的身子扔了下去。往下落时,我先前被他用石头砸烂了的脑袋摔裂开来;我的脸、我的额头和脸颊全都挤烂没了;我全身的骨头都散架了,满嘴都是鲜血。 [点击阅读]
我的爸爸是吸血鬼
作者:佚名
章节:81 人气:0
摘要:序幕那是萨瓦纳的一个凉爽春夜,我的母亲走在石子路上,木屐像马蹄似的敲得鹅卵石哒哒响。她穿过一片盛开的杜鹃,再穿过铁兰掩映下的小橡树丛,来到一片绿色空地,边上有一个咖啡馆。我父亲在铁桌旁的一张凳子上坐着,桌上摊了两个棋盘,父亲出了一个车,仰头瞥见了我母亲,手不小心碰到了一个兵,棋子倒在桌面,滑下来,滚到一旁的走道上去了。母亲弯下身子,捡起棋子交还给他。 [点击阅读]
战争与和平
作者:佚名
章节:361 人气:0
摘要:“啊,公爵,热那亚和卢加现在是波拿巴家族的领地,不过,我得事先对您说,如果您不对我说我们这里处于战争状态,如果您还敢袒护这个基督的敌人(我确乎相信,他是一个基督的敌人)的种种卑劣行径和他一手造成的灾祸,那么我就不再管您了。您就不再是我的朋友,您就不再是,如您所说的,我的忠实的奴隶。啊,您好,您好。我看我正在吓唬您了,请坐,讲给我听。 [点击阅读]
户隐传说杀人事件
作者:佚名
章节:10 人气:0
摘要:没有想到拉动门栓时竟然发出惊人的响声,令男子吓了一大跳,好在风声掩去了这一声响,没有惊动房间里的人。从太阳落山的时候起就起风了。风儿摇动着树林里粗壮的树枝。整座山峦开始呼啸,呼啸声掠过屋子的屋顶。已经到了11月的月底,天空却刮起了在这季节里不可能出现的南风。据村子里的老人说,现在这个时候刮这样的风,不是一个好兆头。但愿这不是出事的征兆。对男子来说,就是靠着这风声,才使他在拉动门栓时没有被人发现。 [点击阅读]
手机
作者:佚名
章节:35 人气:0
摘要:“脉冲”事件发生于十月一日下午东部标准时间三点零三分。这个名称显然不当,但在事情发生后的十小时内,大多数能够指出这个错误的科学家们要么死亡要么疯癫。无论如何,名称其实并不重要,重要的是影响。那天下午三点,一位籍籍无名的年轻人正意气风发地在波士顿的波伊斯顿大街上往东走。他名叫克雷顿·里德尔,脸上一副心满意足的样子,步伐也特别矫健。他左手提着一个艺术家的画夹,关上再拉上拉链就成了一个旅行箱。 [点击阅读]
拇指一竖
作者:佚名
章节:17 人气:0
摘要:贝瑞福夫妇对坐在早餐桌前,他们和普通的夫妇没什么不同,这时候,全英格兰至少有好几百对像他们这样上了年纪的夫妻正在吃早餐,这一天,也是个很普通的日子——一星期七天之中,至少有五个这样的日子。天空阴沉沉的,看起来像是会下雨,不过谁也没把握。 [点击阅读]
拉贝日记
作者:佚名
章节:32 人气:0
摘要:胡绳60年前,侵华日军制造的南京大屠杀惨案,是日本法西斯在中国所犯严重罪行之一,是中国现代史上极其惨痛的一页。虽然日本当时当权者和以后当权者中的许多人竭力否认有这样的惨案,企图隐瞒事实真相,但事实就是事实,不断有身经这个惨案的人(包括当时的日本军人)提供了揭露惨案真相的材料。最近,江苏人民出版社和江苏教育出版社共同翻译出版了《拉贝日记》。 [点击阅读]
挪威的森林
作者:佚名
章节:20 人气:0
摘要:编者语我们为什么选择村上春树?不是因为他连获日本文艺界的奖项:也不是因为他的作品高居日本畅销书榜首:更不是因为他的作品掀起年轻一代的抢购热潮,突破四百万部的销量!那么,为什么?答案是:他和他的作品带给我们思想的特异空间,而轻描淡写的日常生活片断唤起的生活气氛令我们有所共鸣。更重要的是他以六十年代的背景道出九十年代,甚至世世代代的年轻心声。 [点击阅读]
推销员之死
作者:佚名
章节:22 人气:0
摘要:前言阿瑟·米勒,美国剧作家,1915年出生在纽约一个犹太人中产阶级家庭,父亲是一个时装商人,他在哈莱姆上小学,布鲁克林上中学,中学毕业以后工作了两年,后来进入密执根大学,大学期间开始戏剧创作,写了4部剧本,并两次获奖。他第一部在百老汇上演的剧作是《鸿运高照的人》(1944),成名作是1947年创作的《全是我的儿子》,作品获当年度的纽约剧评界奖。 [点击阅读]