51(y)(7)
用你喜欢的方式阅读你喜欢的小说
巴黎圣母院英文版 - BOOK FIRST CHAPTER V.QUASIMODO.
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  In the twinkling of an eye, all was ready to execute Coppenole's idea.Bourgeois, scholars and law clerks all set to work.The little chapel situated opposite the marble table was selected for the scene of the grinning match.A pane broken in the pretty rose window above the door, left free a circle of stone through which it was agreed that the competitors should thrust their heads.In order to reach it, it was only necessary to mount upon a couple of hogsheads, which had been produced from I know not where, and perched one upon the other, after a fashion.It was settled that each candidate, man or woman (for it was possible to choose a female pope), should, for the sake of leaving the impression of his grimace fresh and complete, cover his face and remain concealed in the chapel until the moment of his appearance.In less than an instant, the chapel was crowded with competitors, upon whom the door was then closed.Coppenole, from his post, ordered all, directed all, arranged all.During the uproar, the cardinal, no less abashed than Gringoire, had retired with all his suite, under the pretext of business and vespers, without the crowd which his arrival had so deeply stirred being in the least moved by his departure. Guillaume Rym was the only one who noticed his eminence's discomfiture.The attention of the populace, like the sun, pursued its revolution; having set out from one end of the hall, and halted for a space in the middle, it had now reached the other end.The marble table, the brocaded gallery had each had their day; it was now the turn of the chapel of Louis XI. Henceforth, the field was open to all folly.There was no one there now, but the Flemings and the rabble.The grimaces began.The first face which appeared at the aperture, with eyelids turned up to the reds, a mouth open like a maw, and a brow wrinkled like our hussar boots of the Empire, evoked such an inextinguishable peal of laughter that Homer would have taken all these louts for gods. Nevertheless, the grand hall was anything but Olympus, and Gringoire's poor Jupiter knew it better than any one else.A second and third grimace followed, then another and another; and the laughter and transports of delight went on increasing. There was in this spectacle, a peculiar power of intoxication and fascination, of which it would be difficult to convey to the reader of our day and our salons any idea.Let the reader picture to himself a series of visages presenting successively all geometrical forms, from the triangle to the trapezium, from the cone to the polyhedron; all human expressions, from wrath to lewdness; all ages, from the wrinkles of the new-born babe to the wrinkles of the aged and dying; all religious phantasmagories, from Faun to Beelzebub; all animal profiles, from the maw to the beak, from the jowl to the muzzle.Let the reader imagine all these grotesque figures of the pont Neuf, those nightmares petrified beneath the hand of Germain pilon, assuming life and breath, and coming in turn to stare you in the face with burning eyes; all the masks of the Carnival of Venice passing in succession before your glass,--in a word, a human kaleidoscope.The orgy grew more and more Flemish.Teniers could have given but a very imperfect idea of it.Let the reader picture to himself in bacchanal form, Salvator Rosa's battle.There were no longer either scholars or ambassadors or bourgeois or men or women; there was no longer any Clopin Trouillefou, nor Gilles Lecornu, nor Marie Quatrelivres, nor Robin poussepain. All was universal license.The grand hall was no longer anything but a vast furnace of effrontry and joviality, where every mouth was a cry, every individual a posture; everything shouted and howled.The strange visages which came, in turn, to gnash their teeth in the rose window, were like so many brands cast into the brazier; and from the whole of this effervescing crowd, there escaped, as from a furnace, a sharp, piercing, stinging noise, hissing like the wings of a gnat."Ho hé! curse it!""Just look at that face!""It's not good for anything.""Guillemette Maugerepuis, just look at that bull's muzzle; it only lacks the horns.It can't be your husband.""Another!""Belly of the pope! what sort of a grimace is that?""Hola hé! that's cheating.One must show only one's face.""That damned perrette Callebotte! she's capable of that!""Good!Good!""I'm stifling!""There's a fellow whose ears won't go through!" Etc., etc.But we must do justice to our friend Jehan.In the midst of this witches' sabbath, he was still to be seen on the top of his pillar, like the cabin-boy on the topmast.He floundered about with incredible fury.His mouth was wide open, and from it there escaped a cry which no one heard, not that it was covered by the general clamor, great as that was but because it attained, no doubt, the limit of perceptible sharp sounds, the thousand vibrations of Sauveur, or the eight thousand of Biot.As for Gringoire, the first moment of depression having passed, he had regained his composure.He had hardened himself against adversity.---"Continue!" he had said for the third time, to his comedians, speaking machines; then as he was marching with great strides in front of the marble table, a fancy seized him to go and appear in his turn at the aperture of the chapel, were it only for the pleasure of making a grimace at that ungrateful populace.--"But no, that would not be worthy of us; no, vengeance! let us combat until the end," he repeated to himself; "the power of poetry over people is great; I will bring them back.We shall see which will carry the day, grimaces or polite literature."Alas! he had been left the sole spectator of his piece. It was far worse than it had been a little while before.He no longer beheld anything but backs.I am mistaken.The big, patient man, whom he had already consulted in a critical moment, had remained with his face turned towards the stage.As for Gisquette and Liénarde, they had deserted him long ago.Gringoire was touched to the heart by the fidelity of his only spectator.He approached him and addressed him, shaking his arm slightly; for the good man was leaning on the balustrade and dozing a little."Monsieur," said Gringoire, "I thank you!""Monsieur," replied the big man with a yawn, "for what?""I see what wearies you," resumed the poet; "'tis all this noise which prevents your hearing comfortably.But be at ease! your name shall descend to posterity!Your name, if you please?""Renauld Chateau, guardian of the seals of the Chatelet of paris, at your service.""Monsieur, you are the only representive of the muses here," said Gringoire."You are too kind, sir," said the guardian of the seals at the Chatelet."You are the only one," resumed Gringoire, "who has listened to the piece decorously.What do you think of it?""He! he!" replied the fat magistrate, half aroused, "it's tolerably jolly, that's a fact."Gringoire was forced to content himself with this eulogy; for a thunder of applause, mingled with a prodigious acclamation, cut their conversation short.The pope of the Fools had been elected."Noel!Noel!Noel!"* shouted the people on all sides. That was, in fact, a marvellous grimace which was beaming at that moment through the aperture in the rose window. After all the pentagonal, hexagonal, and whimsical faces, which had succeeded each other at that hole without realizing the ideal of the grotesque which their imaginations, excited by the orgy, had constructed, nothing less was needed to win their suffrages than the sublime grimace which had just dazzled the assembly.Master Coppenole himself applauded, and Clopin Trouillefou, who had been among the competitors (and God knows what intensity of ugliness his visage could attain), confessed himself conquered: We will do the same.We shall not try to give the reader an idea of that tetrahedral nose, that horseshoe mouth; that little left eye obstructed with a red, bushy, bristling eyebrow, while the right eye disappeared entirely beneath an enormous wart; of those teeth in disarray, broken here and there, like the embattled parapet of a fortress; of that callous lip, upon which one of these teeth encroached, like the tusk of an elephant; of that forked chin; and above all, of the expression spread over the whole; of that mixture of malice, amazement, and sadness.Let the reader dream of this whole, if he can.*The ancient French hurrah.The acclamation was unanimous; people rushed towards the chapel.They made the lucky pope of the Fools come forth in triumph.But it was then that surprise and admiration attained their highest pitch; the grimace was his face.Or rather, his whole person was a grimace.A huge head, bristling with red hair; between his shoulders an enormous hump, a counterpart perceptible in front; a system of thighs and legs so strangely astray that they could touch each other only at the knees, and, viewed from the front, resembled the crescents of two scythes joined by the handles; large feet, monstrous hands; and, with all this deformity, an indescribable and redoubtable air of vigor, agility, and courage,--strange exception to the eternal rule which wills that force as well as beauty shall be the result of harmony.Such was the pope whom the fools had just chosen for themselves.One would have pronounced him a giant who had been broken and badly put together again.When this species of cyclops appeared on the threshold of the chapel, motionless, squat, and almost as broad as he was tall; squared on the base, as a great man says; with his doublet half red, half violet, sown with silver bells, and, above all, in the perfection of his ugliness, the populace recognized him on the instant, and shouted with one voice,--"'Tis Quasimodo, the bellringer! 'tis Quasimodo, the hunchback of Notre-Dame!Quasimodo, the one-eyed!Quasimodo, the bandy-legged!Noel!Noel!"It will be seen that the poor fellow had a choice of surnames."Let the women with child beware!" shouted the scholars."Or those who wish to be," resumed Joannes.The women did, in fact, hide their faces."Oh! the horrible monkey!" said one of them."As wicked as he is ugly," retorted another."He's the devil," added a third."I have the misfortune to live near Notre-Dame; I hear him prowling round the eaves by night.""With the cats.""He's always on our roofs.""He throws spells down our chimneys.""The other evening, he came and made a grimace at me through my attic window.I thought that it was a man. Such a fright as I had!""I'm sure that he goes to the witches' sabbath.Once he left a broom on my leads.""Oh! what a displeasing hunchback's face!""Oh! what an ill-favored soul!""Whew!"The men, on the contrary, were delighted and applauded. Quasimodo, the object of the tumult, still stood on the threshold of the chapel, sombre and grave, and allowed them to admire him.One scholar (Robin poussepain, I think), came and laughed in his face, and too close.Quasimodo contented himself with taking him by the girdle, and hurling him ten paces off amid the crowd; all without uttering a word.Master Coppenole, in amazement, approached him."Cross of God!Holy Father! you possess the handsomest ugliness that I have ever beheld in my life.You would deserve to be pope at Rome, as well as at paris."So saying, he placed his hand gayly on his shoulder.Quasimodo did not stir.Coppenole went on,--"You are a rogue with whom I have a fancy for carousing, were it to cost me a new dozen of twelve livres of Tours. How does it strike you?"Quasimodo made no reply."Cross of God!" said the hosier, "are you deaf?"He was, in truth, deaf.Nevertheless, he began to grow impatient with Coppenole's behavior, and suddenly turned towards him with so formidable a gnashing of teeth, that the Flemish giant recoiled, like a bull-dog before a cat.Then there was created around that strange personage, a circle of terror and respect, whose radius was at least fifteen geometrical feet.An old woman explained to Coppenole that Quasimodo was deaf."Deaf!" said the hosier, with his great Flemish laugh. "Cross of God!He's a perfect pope!""He!I recognize him," exclaimed Jehan, who had, at last, descended from his capital, in order to see Quasimodo at closer quarters, "he's the bellringer of my brother, the archdeacon. Good-day, Quasimodo!""What a devil of a man!" said Robin poussepain still all bruised with his fall."He shows himself; he's a hunchback. He walks; he's bandy-legged.He looks at you; he's one-eyed. You speak to him; he's deaf.And what does this polyphemus do with his tongue?""He speaks when he chooses," said the old woman; "he became deaf through ringing the bells.He is not dumb.""That he lacks," remarks Jehan."And he has one eye too many," added Robin poussepain."Not at all," said Jehan wisely."A one-eyed man is far less complete than a blind man.He knows what he lacks."In the meantime, all the beggars, all the lackeys, all the cutpurses, joined with the scholars, had gone in procession to seek, in the cupboard of the law clerks' company, the cardboard tiara, and the derisive robe of the pope of the Fools.Quasimodo allowed them to array him in them without wincing, and with a sort of proud docility.Then they made him seat himself on a motley litter.Twelve officers of the fraternity of fools raised him on their shoulders; and a sort of bitter and disdainful joy lighted up the morose face of the cyclops, when he beheld beneath his deformed feet all those heads of handsome, straight, well-made men.Then the ragged and howling procession set out on its march, according to custom, around the inner galleries of the Courts, before making the circuit of the streets and squares.
或许您还会喜欢:
我是猫
作者:佚名
章节:23 人气:0
摘要:夏目漱石,日本近代作家,生于江户的牛迂马场下横町(今东京都新宿区喜久井町)一个小吏家庭,是家中末子。夏目漱石在日本近代文学史上享有很高的地位,被称为“国民大作家”。代表作有《过了春分时节》《行人》《心》三部曲。 [点击阅读]
我的名字叫红
作者:佚名
章节:58 人气:0
摘要:如今我已是一个死人,成了一具躺在井底的死尸。尽管我已经死了很久,心脏也早已停止了跳动,但除了那个卑鄙的凶手之外没人知道我发生了什么事。而他,那个混蛋,则听了听我是否还有呼吸,摸了摸我的脉搏以确信他是否已把我干掉,之后又朝我的肚子踹了一脚,把我扛到井边,搬起我的身子扔了下去。往下落时,我先前被他用石头砸烂了的脑袋摔裂开来;我的脸、我的额头和脸颊全都挤烂没了;我全身的骨头都散架了,满嘴都是鲜血。 [点击阅读]
我的爸爸是吸血鬼
作者:佚名
章节:81 人气:0
摘要:序幕那是萨瓦纳的一个凉爽春夜,我的母亲走在石子路上,木屐像马蹄似的敲得鹅卵石哒哒响。她穿过一片盛开的杜鹃,再穿过铁兰掩映下的小橡树丛,来到一片绿色空地,边上有一个咖啡馆。我父亲在铁桌旁的一张凳子上坐着,桌上摊了两个棋盘,父亲出了一个车,仰头瞥见了我母亲,手不小心碰到了一个兵,棋子倒在桌面,滑下来,滚到一旁的走道上去了。母亲弯下身子,捡起棋子交还给他。 [点击阅读]
战争与和平
作者:佚名
章节:361 人气:0
摘要:“啊,公爵,热那亚和卢加现在是波拿巴家族的领地,不过,我得事先对您说,如果您不对我说我们这里处于战争状态,如果您还敢袒护这个基督的敌人(我确乎相信,他是一个基督的敌人)的种种卑劣行径和他一手造成的灾祸,那么我就不再管您了。您就不再是我的朋友,您就不再是,如您所说的,我的忠实的奴隶。啊,您好,您好。我看我正在吓唬您了,请坐,讲给我听。 [点击阅读]
户隐传说杀人事件
作者:佚名
章节:10 人气:0
摘要:没有想到拉动门栓时竟然发出惊人的响声,令男子吓了一大跳,好在风声掩去了这一声响,没有惊动房间里的人。从太阳落山的时候起就起风了。风儿摇动着树林里粗壮的树枝。整座山峦开始呼啸,呼啸声掠过屋子的屋顶。已经到了11月的月底,天空却刮起了在这季节里不可能出现的南风。据村子里的老人说,现在这个时候刮这样的风,不是一个好兆头。但愿这不是出事的征兆。对男子来说,就是靠着这风声,才使他在拉动门栓时没有被人发现。 [点击阅读]
手机
作者:佚名
章节:35 人气:0
摘要:“脉冲”事件发生于十月一日下午东部标准时间三点零三分。这个名称显然不当,但在事情发生后的十小时内,大多数能够指出这个错误的科学家们要么死亡要么疯癫。无论如何,名称其实并不重要,重要的是影响。那天下午三点,一位籍籍无名的年轻人正意气风发地在波士顿的波伊斯顿大街上往东走。他名叫克雷顿·里德尔,脸上一副心满意足的样子,步伐也特别矫健。他左手提着一个艺术家的画夹,关上再拉上拉链就成了一个旅行箱。 [点击阅读]
拇指一竖
作者:佚名
章节:17 人气:0
摘要:贝瑞福夫妇对坐在早餐桌前,他们和普通的夫妇没什么不同,这时候,全英格兰至少有好几百对像他们这样上了年纪的夫妻正在吃早餐,这一天,也是个很普通的日子——一星期七天之中,至少有五个这样的日子。天空阴沉沉的,看起来像是会下雨,不过谁也没把握。 [点击阅读]
拉贝日记
作者:佚名
章节:32 人气:0
摘要:胡绳60年前,侵华日军制造的南京大屠杀惨案,是日本法西斯在中国所犯严重罪行之一,是中国现代史上极其惨痛的一页。虽然日本当时当权者和以后当权者中的许多人竭力否认有这样的惨案,企图隐瞒事实真相,但事实就是事实,不断有身经这个惨案的人(包括当时的日本军人)提供了揭露惨案真相的材料。最近,江苏人民出版社和江苏教育出版社共同翻译出版了《拉贝日记》。 [点击阅读]
挪威的森林
作者:佚名
章节:20 人气:0
摘要:编者语我们为什么选择村上春树?不是因为他连获日本文艺界的奖项:也不是因为他的作品高居日本畅销书榜首:更不是因为他的作品掀起年轻一代的抢购热潮,突破四百万部的销量!那么,为什么?答案是:他和他的作品带给我们思想的特异空间,而轻描淡写的日常生活片断唤起的生活气氛令我们有所共鸣。更重要的是他以六十年代的背景道出九十年代,甚至世世代代的年轻心声。 [点击阅读]
推销员之死
作者:佚名
章节:22 人气:0
摘要:前言阿瑟·米勒,美国剧作家,1915年出生在纽约一个犹太人中产阶级家庭,父亲是一个时装商人,他在哈莱姆上小学,布鲁克林上中学,中学毕业以后工作了两年,后来进入密执根大学,大学期间开始戏剧创作,写了4部剧本,并两次获奖。他第一部在百老汇上演的剧作是《鸿运高照的人》(1944),成名作是1947年创作的《全是我的儿子》,作品获当年度的纽约剧评界奖。 [点击阅读]