51(y)(7)
用你喜欢的方式阅读你喜欢的小说
巴黎圣母院英文版 - BOOK FIRST CHAPTER V.QUASIMODO.
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  In the twinkling of an eye, all was ready to execute Coppenole's idea.Bourgeois, scholars and law clerks all set to work.The little chapel situated opposite the marble table was selected for the scene of the grinning match.A pane broken in the pretty rose window above the door, left free a circle of stone through which it was agreed that the competitors should thrust their heads.In order to reach it, it was only necessary to mount upon a couple of hogsheads, which had been produced from I know not where, and perched one upon the other, after a fashion.It was settled that each candidate, man or woman (for it was possible to choose a female pope), should, for the sake of leaving the impression of his grimace fresh and complete, cover his face and remain concealed in the chapel until the moment of his appearance.In less than an instant, the chapel was crowded with competitors, upon whom the door was then closed.Coppenole, from his post, ordered all, directed all, arranged all.During the uproar, the cardinal, no less abashed than Gringoire, had retired with all his suite, under the pretext of business and vespers, without the crowd which his arrival had so deeply stirred being in the least moved by his departure. Guillaume Rym was the only one who noticed his eminence's discomfiture.The attention of the populace, like the sun, pursued its revolution; having set out from one end of the hall, and halted for a space in the middle, it had now reached the other end.The marble table, the brocaded gallery had each had their day; it was now the turn of the chapel of Louis XI. Henceforth, the field was open to all folly.There was no one there now, but the Flemings and the rabble.The grimaces began.The first face which appeared at the aperture, with eyelids turned up to the reds, a mouth open like a maw, and a brow wrinkled like our hussar boots of the Empire, evoked such an inextinguishable peal of laughter that Homer would have taken all these louts for gods. Nevertheless, the grand hall was anything but Olympus, and Gringoire's poor Jupiter knew it better than any one else.A second and third grimace followed, then another and another; and the laughter and transports of delight went on increasing. There was in this spectacle, a peculiar power of intoxication and fascination, of which it would be difficult to convey to the reader of our day and our salons any idea.Let the reader picture to himself a series of visages presenting successively all geometrical forms, from the triangle to the trapezium, from the cone to the polyhedron; all human expressions, from wrath to lewdness; all ages, from the wrinkles of the new-born babe to the wrinkles of the aged and dying; all religious phantasmagories, from Faun to Beelzebub; all animal profiles, from the maw to the beak, from the jowl to the muzzle.Let the reader imagine all these grotesque figures of the pont Neuf, those nightmares petrified beneath the hand of Germain pilon, assuming life and breath, and coming in turn to stare you in the face with burning eyes; all the masks of the Carnival of Venice passing in succession before your glass,--in a word, a human kaleidoscope.The orgy grew more and more Flemish.Teniers could have given but a very imperfect idea of it.Let the reader picture to himself in bacchanal form, Salvator Rosa's battle.There were no longer either scholars or ambassadors or bourgeois or men or women; there was no longer any Clopin Trouillefou, nor Gilles Lecornu, nor Marie Quatrelivres, nor Robin poussepain. All was universal license.The grand hall was no longer anything but a vast furnace of effrontry and joviality, where every mouth was a cry, every individual a posture; everything shouted and howled.The strange visages which came, in turn, to gnash their teeth in the rose window, were like so many brands cast into the brazier; and from the whole of this effervescing crowd, there escaped, as from a furnace, a sharp, piercing, stinging noise, hissing like the wings of a gnat."Ho hé! curse it!""Just look at that face!""It's not good for anything.""Guillemette Maugerepuis, just look at that bull's muzzle; it only lacks the horns.It can't be your husband.""Another!""Belly of the pope! what sort of a grimace is that?""Hola hé! that's cheating.One must show only one's face.""That damned perrette Callebotte! she's capable of that!""Good!Good!""I'm stifling!""There's a fellow whose ears won't go through!" Etc., etc.But we must do justice to our friend Jehan.In the midst of this witches' sabbath, he was still to be seen on the top of his pillar, like the cabin-boy on the topmast.He floundered about with incredible fury.His mouth was wide open, and from it there escaped a cry which no one heard, not that it was covered by the general clamor, great as that was but because it attained, no doubt, the limit of perceptible sharp sounds, the thousand vibrations of Sauveur, or the eight thousand of Biot.As for Gringoire, the first moment of depression having passed, he had regained his composure.He had hardened himself against adversity.---"Continue!" he had said for the third time, to his comedians, speaking machines; then as he was marching with great strides in front of the marble table, a fancy seized him to go and appear in his turn at the aperture of the chapel, were it only for the pleasure of making a grimace at that ungrateful populace.--"But no, that would not be worthy of us; no, vengeance! let us combat until the end," he repeated to himself; "the power of poetry over people is great; I will bring them back.We shall see which will carry the day, grimaces or polite literature."Alas! he had been left the sole spectator of his piece. It was far worse than it had been a little while before.He no longer beheld anything but backs.I am mistaken.The big, patient man, whom he had already consulted in a critical moment, had remained with his face turned towards the stage.As for Gisquette and Liénarde, they had deserted him long ago.Gringoire was touched to the heart by the fidelity of his only spectator.He approached him and addressed him, shaking his arm slightly; for the good man was leaning on the balustrade and dozing a little."Monsieur," said Gringoire, "I thank you!""Monsieur," replied the big man with a yawn, "for what?""I see what wearies you," resumed the poet; "'tis all this noise which prevents your hearing comfortably.But be at ease! your name shall descend to posterity!Your name, if you please?""Renauld Chateau, guardian of the seals of the Chatelet of paris, at your service.""Monsieur, you are the only representive of the muses here," said Gringoire."You are too kind, sir," said the guardian of the seals at the Chatelet."You are the only one," resumed Gringoire, "who has listened to the piece decorously.What do you think of it?""He! he!" replied the fat magistrate, half aroused, "it's tolerably jolly, that's a fact."Gringoire was forced to content himself with this eulogy; for a thunder of applause, mingled with a prodigious acclamation, cut their conversation short.The pope of the Fools had been elected."Noel!Noel!Noel!"* shouted the people on all sides. That was, in fact, a marvellous grimace which was beaming at that moment through the aperture in the rose window. After all the pentagonal, hexagonal, and whimsical faces, which had succeeded each other at that hole without realizing the ideal of the grotesque which their imaginations, excited by the orgy, had constructed, nothing less was needed to win their suffrages than the sublime grimace which had just dazzled the assembly.Master Coppenole himself applauded, and Clopin Trouillefou, who had been among the competitors (and God knows what intensity of ugliness his visage could attain), confessed himself conquered: We will do the same.We shall not try to give the reader an idea of that tetrahedral nose, that horseshoe mouth; that little left eye obstructed with a red, bushy, bristling eyebrow, while the right eye disappeared entirely beneath an enormous wart; of those teeth in disarray, broken here and there, like the embattled parapet of a fortress; of that callous lip, upon which one of these teeth encroached, like the tusk of an elephant; of that forked chin; and above all, of the expression spread over the whole; of that mixture of malice, amazement, and sadness.Let the reader dream of this whole, if he can.*The ancient French hurrah.The acclamation was unanimous; people rushed towards the chapel.They made the lucky pope of the Fools come forth in triumph.But it was then that surprise and admiration attained their highest pitch; the grimace was his face.Or rather, his whole person was a grimace.A huge head, bristling with red hair; between his shoulders an enormous hump, a counterpart perceptible in front; a system of thighs and legs so strangely astray that they could touch each other only at the knees, and, viewed from the front, resembled the crescents of two scythes joined by the handles; large feet, monstrous hands; and, with all this deformity, an indescribable and redoubtable air of vigor, agility, and courage,--strange exception to the eternal rule which wills that force as well as beauty shall be the result of harmony.Such was the pope whom the fools had just chosen for themselves.One would have pronounced him a giant who had been broken and badly put together again.When this species of cyclops appeared on the threshold of the chapel, motionless, squat, and almost as broad as he was tall; squared on the base, as a great man says; with his doublet half red, half violet, sown with silver bells, and, above all, in the perfection of his ugliness, the populace recognized him on the instant, and shouted with one voice,--"'Tis Quasimodo, the bellringer! 'tis Quasimodo, the hunchback of Notre-Dame!Quasimodo, the one-eyed!Quasimodo, the bandy-legged!Noel!Noel!"It will be seen that the poor fellow had a choice of surnames."Let the women with child beware!" shouted the scholars."Or those who wish to be," resumed Joannes.The women did, in fact, hide their faces."Oh! the horrible monkey!" said one of them."As wicked as he is ugly," retorted another."He's the devil," added a third."I have the misfortune to live near Notre-Dame; I hear him prowling round the eaves by night.""With the cats.""He's always on our roofs.""He throws spells down our chimneys.""The other evening, he came and made a grimace at me through my attic window.I thought that it was a man. Such a fright as I had!""I'm sure that he goes to the witches' sabbath.Once he left a broom on my leads.""Oh! what a displeasing hunchback's face!""Oh! what an ill-favored soul!""Whew!"The men, on the contrary, were delighted and applauded. Quasimodo, the object of the tumult, still stood on the threshold of the chapel, sombre and grave, and allowed them to admire him.One scholar (Robin poussepain, I think), came and laughed in his face, and too close.Quasimodo contented himself with taking him by the girdle, and hurling him ten paces off amid the crowd; all without uttering a word.Master Coppenole, in amazement, approached him."Cross of God!Holy Father! you possess the handsomest ugliness that I have ever beheld in my life.You would deserve to be pope at Rome, as well as at paris."So saying, he placed his hand gayly on his shoulder.Quasimodo did not stir.Coppenole went on,--"You are a rogue with whom I have a fancy for carousing, were it to cost me a new dozen of twelve livres of Tours. How does it strike you?"Quasimodo made no reply."Cross of God!" said the hosier, "are you deaf?"He was, in truth, deaf.Nevertheless, he began to grow impatient with Coppenole's behavior, and suddenly turned towards him with so formidable a gnashing of teeth, that the Flemish giant recoiled, like a bull-dog before a cat.Then there was created around that strange personage, a circle of terror and respect, whose radius was at least fifteen geometrical feet.An old woman explained to Coppenole that Quasimodo was deaf."Deaf!" said the hosier, with his great Flemish laugh. "Cross of God!He's a perfect pope!""He!I recognize him," exclaimed Jehan, who had, at last, descended from his capital, in order to see Quasimodo at closer quarters, "he's the bellringer of my brother, the archdeacon. Good-day, Quasimodo!""What a devil of a man!" said Robin poussepain still all bruised with his fall."He shows himself; he's a hunchback. He walks; he's bandy-legged.He looks at you; he's one-eyed. You speak to him; he's deaf.And what does this polyphemus do with his tongue?""He speaks when he chooses," said the old woman; "he became deaf through ringing the bells.He is not dumb.""That he lacks," remarks Jehan."And he has one eye too many," added Robin poussepain."Not at all," said Jehan wisely."A one-eyed man is far less complete than a blind man.He knows what he lacks."In the meantime, all the beggars, all the lackeys, all the cutpurses, joined with the scholars, had gone in procession to seek, in the cupboard of the law clerks' company, the cardboard tiara, and the derisive robe of the pope of the Fools.Quasimodo allowed them to array him in them without wincing, and with a sort of proud docility.Then they made him seat himself on a motley litter.Twelve officers of the fraternity of fools raised him on their shoulders; and a sort of bitter and disdainful joy lighted up the morose face of the cyclops, when he beheld beneath his deformed feet all those heads of handsome, straight, well-made men.Then the ragged and howling procession set out on its march, according to custom, around the inner galleries of the Courts, before making the circuit of the streets and squares.
或许您还会喜欢:
理想国
作者:佚名
章节:18 人气:0
摘要:柏拉图(公元前427年-347年)是古希腊的大哲学家,苏格拉底(公元前469年-399年)①的学生,亚里士多德(公元前384年-322年)的老师。他一生大部分时间居住在古希腊民族文化中心的雅典。他热爱祖国,热爱哲学。他的最高理想,哲学家应为政治家,政治家应为哲学家。哲学家不是躲在象牙塔里的书呆,应该学以致用,求诸实践。有哲学头脑的人,要有政权,有政权的人,要有哲学头脑。 [点击阅读]
理智与情感
作者:佚名
章节:59 人气:0
摘要:【作者简介】简·奥斯汀(1775~1817)英国女小说家。生于乡村小镇斯蒂文顿,父亲是当地教区牧师。奥斯丁没有上过正规学校,在父母指导下阅读了大量文学作品。她20岁左右开始写作,共发表了6部长篇小说。1811年出版的《理智和情感》是她的处女作,随后又接连发表了《傲慢与偏见》(1813)、《曼斯菲尔德花园》(1814)和《爱玛》(1815)。 [点击阅读]
琥珀望远镜
作者:佚名
章节:38 人气:0
摘要:猛兽们从深邃的山谷走来看着熟睡中的少女——威廉?布莱克紧挨着雪线有一个杜鹃花遮蔽的山谷,山谷里哗啦啦地流淌着一条乳白色的雪水融化而成的小溪,鸽子和红雀在巨大的松树间飞翔,在岩石和其下簇拥着的又直又硬的树叶间半遮半掩着一个洞。 [点击阅读]
瓦尔登湖
作者:佚名
章节:24 人气:0
摘要:这本书的思想是崇尚简朴生活,热爱大自然的风光,内容丰厚,意义深远,语言生动,意境深邃,就像是个智慧的老人,闪现哲理灵光,又有高山流水那样的境界。书中记录了作者隐居瓦尔登湖畔,与大自然水-乳-交融、在田园生活中感知自然重塑自我的奇异历程。读本书,能引领人进入一个澄明、恬美、素雅的世界。亨利·戴维·梭罗(1817-1862),美国超验主义作家。 [点击阅读]
生活在别处
作者:佚名
章节:18 人气:0
摘要:——读米兰·昆德拉《生活在别处》吕新雨生存于人类的文化传统之中,我们对于"诗"、"抒情"、"美"这样的字眼,总是保持着崇高的故意。人类不仅具有抒情的能力,而且具有这种需要,基于生存的需要。这样抒情诗就不仅仅是一个美学问题,而且是一个具有存在论性质的问题,抒情态度成为人类的一种生存范畴。 [点击阅读]
田园交响曲
作者:佚名
章节:14 人气:0
摘要:纪德是个不可替代的榜样在二十世纪法国作家中,若论哪一位最活跃,最独特,最重要,最喜欢颠覆,最爱惹是生非,最复杂,最多变,从而也最难捉摸,那么几乎可以肯定,非安德烈·纪德莫属。纪德的一生及其作品所构成的世界,就是一座现代的迷宫。这座迷宫迷惑了多少评论家,甚至迷惑诺贝尔文学奖评委们长达三十余年。这里顺便翻一翻诺贝尔文学奖这本老账,只为从一个侧面说明纪德为人和为文的复杂性,在他的迷宫里迷途不足为奇。 [点击阅读]
男人这东西
作者:佚名
章节:19 人气:0
摘要:对于性,少男们由于难以抑制自己而感到不安;与此同时,他们又抱有尝试性爱的愿望。因此,他们的实情是:置身于这两种互相矛盾的情感的夹缝中苦苦思索,闷闷不乐。无论男性还是女性,成长为响当当的人是极其不易的。在此,我们所说的“响当当的人”指的是无论在肉体还是在精神方面都健康且成熟的男人和女人。在成人之前,人,无一例外要逾越形形色色的障碍、壁垒。 [点击阅读]
畸形屋
作者:佚名
章节:26 人气:0
摘要:大战末期,我在埃及认识了苏菲亚-里奥奈兹。她在当地领事馆某部门担任一个相当高的管理职位。第一次见到她是在一个正式场会里,不久我便了解到她那令她登上那个职位的办事效率,尽管她还很年轻(当时她才二十二岁)。除了外貌让人看来极为顺眼之外,她还拥有清晰的头脑和令我觉得非常愉快的一本正经的幽默感。她是一个令人觉得特别容易交谈的对象,我们在一起吃过几次饭,偶尔跳跳舞,过得非常愉快。 [点击阅读]
癌症楼
作者:佚名
章节:69 人气:0
摘要:肖韦宏瑞典皇家学院将1970年度的诺贝尔文学奖授予苏联作家索尔仁尼琴,从而使前苏联与西方之间继“帕斯捷尔纳克事件”之后又一次出现了冷战的局面。从那时以来,索尔仁尼琴也由一个“持不同政见者”变为“流亡作家”,其创作活动变得更为复杂,更为引人注目。索尔仁尼琴于1918年12月11日生于北高加索的基斯洛沃茨克市。父亲曾在沙俄军队中供职,战死在德国;母亲系中学教员。 [点击阅读]
白发鬼
作者:佚名
章节:10 人气:0
摘要:诡怪的开场白此刻,在我面前,这所监狱里的心地善良的囚犯教诲师,正笑容可掬地等待着我开始讲述我的冗长的故事;在我旁边,教诲师委托的熟练的速记员已削好铅笔,正期待我开口。我要从现在起,按照善良的教诲师的劝告,一天讲一点,连日讲述我的不可思议的经历。教诲师说他想让人把我的口述速记下来,以后编成一部书出版。我也希望能那样。因为我的经历怪诞离奇,简直是世人做梦都想不到的。 [点击阅读]