51(y)(7)
用你喜欢的方式阅读你喜欢的小说
安妮日记英文版 - THURSDAY, JULY 9, 1942
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  THURSDAY, JULY 9, 1942Dearest Kitty,So there we were, Father, Mother and I, walking in the pouring rain, each of us with a schoolbag and a shopping bag filled to the brim with the most varied assortment of items. The people on their way to work at that early hour gave us sympathetic looks; you could tell by their faces that they were sorry they couldn't offer us some kind of transportation; the conspicuous yellow star spoke for itself.Only when we were walking down the street did Father and Mother reveal, little by little, what the plan was. For months we'd been moving as much of our furniture and apparel out of the apartment as we could. It was agreed that we'd go into hiding on July 16. Because of Margot's call-up notice, the plan had to be moved up ten days, which meant we'd have to make do with less orderly rooms.The hiding place was located in Father's office building. That's a little hard for outsiders to understand, so I'll explain. Father didn't have a lot of people working in his office, just Mr. Kugler, Mr. Kleiman, Miep and a twenty-three-year-old typist named Bep Voskuijl, all of whom were informed of our coming. Mr. Voskuijl, Bep's father, works in the warehouse, along with two assistants, none of whom were told anything.Here's a description of the building. The large warehouse on the ground floor is used as a workroom and storeroom and is divided into several different sections, such as the stockroom and the milling room, where cinnamon, cloves and a pepper substitute are ground.Next to the warehouse doors is another outside' door, a separate entrance to the office. Just inside the office door is a second door, and beyond that a stairway. At the top of the stairs is another door, with a frosted window on which the word "Office" is written in black letters. This is the big front office -- very large, very light and very full. Bep, Miep and Mr. Kleiman work there during the day. After passing through an alcove containing a safe, a wardrobe and a big supply cupboard, you come to the small, dark, stuffy back office. This used to be shared by Mr. Kugler and Mr. van Daan, but now Mr. Kugler is its only occupant. Mr. Kugler's office can also be reached from the hallway, but only through a glass door that can be opened from the inside but not easily from the outside. If you leave Mr. Kugler's office and proceed through the long, narrow hallway past the coal bin and go up four steps, you find yourself in the private office, the showpiece of the entire building. Elegant mahogany furniture, a linoleum floor covered with throw rugs, a radio, a fancy lamp, everything first class. Next door is a spacious kitchen with a hot-water heater and two gas burners, and beside that a bathroom. That's the second floor.A wooden staircase leads from the downstairs hallway to the third floor. At the top of the stairs is a landing, with doors on either side. The door on the left takes you up to the spice storage area, attic and loft in the front part of the house. A typically Dutch, very steep, ankle-twisting flight of stairs also runs from the front part of the house to another door opening onto the street.The door to the right of the landing leads to the "Secret Annex" at the back ofthe house. No one would ever suspect there were so many rooms behind that plain gray door. There's just one small step in front of the door, and then you're inside. Straight ahead of you is a steep flight of stairs. To the left is a narrow hallway opening onto a room that serves as the Frank family's living room and bedroom. Next door is a smaller room, the )edroom and study of the two young ladies of the family. ro the right of the stairs is a windowless washroom. with a link. The door in the corner leads to the toilet and another one to Margot's and my room. If you go up the itairs and open the door at the top, you're surprised to see such a large, light and spacious room in an old canalside house like this. It contains a stove (thanks to the fact hat it used to be Mr. Kugler's laboratory) and a sink.This will be the kitchen and bedroom of Mr. and Mrs. van Daan, as well as the general living room, dining room and study for us all. A tiny side room is to be Peter van Daan's bedroom. Then, just as in the front part of the building, there's an attic and a loft. So there you are. Now I've introduced you to the whole of our lovely Annex!Yours, Anne
或许您还会喜欢:
青鸟
作者:佚名
章节:9 人气:2
摘要:郑克鲁莫里斯·梅特林克(MauriceMaeterlinck,1862—1949),比利时象征派戏剧家。出生于公证人家庭,早年学习法律,毕业后随即到巴黎小住,结识了一些崇尚象征派诗歌的朋友,从此决定了他的文学生涯和创作倾向。他的第一部作品《温室》(1889)是象征派诗歌集。同年发表的剧本《玛莱娜公主》得到了法国评论界的重视,这个剧本第一次把象征主义手法运用到戏剧创作中。 [点击阅读]
1Q84 BOOK2
作者:佚名
章节:34 人气:2
摘要:&nbs;《1Q84BOOK2(7月-9月)》写一对十岁时相遇后便各奔东西的三十岁男女,相互寻觅对方的故事,并将这个简单故事变成复杂的长篇。我想将这个时代所有世态立体地写出,成为我独有的“综合小说”。超越纯文学这一类型,采取多种尝试。在当今时代的空气中嵌入人类的生命。 [点击阅读]
人间失格
作者:佚名
章节:21 人气:2
摘要:《人间失格》(又名《丧失为人的资格》)日本著名小说家太宰治最具影响力的小说作品,发表于1948年,是一部自传体的小说。纤细的自传体中透露出极致的颓废,毁灭式的绝笔之作。太宰治巧妙地将自己的人生与思想,隐藏于主角叶藏的人生遭遇,藉由叶藏的独白,窥探太宰治的内心世界,一个“充满了可耻的一生”。在发表这部作品的同年,太宰治就自杀身亡。 [点击阅读]
冰与火之歌5
作者:佚名
章节:73 人气:2
摘要:人味在夜空中飘荡。狼灵停在一棵树下,嗅了嗅,灰棕色毛皮上洒满了斑驳阴影。松林的风为他送来人味,里面混合着更淡的狐狸、兔子、海豹、鹿,甚至狼的气味。其实这些东西的气味也是人味:旧皮的臭气,死亡和酸败的气息,且被更浓烈的烟、血和腐物的味道所覆盖。只有人类才会剥取其他动物的毛皮毛发,穿戴起来。狼灵不怕人,就和狼一样。他腹中充满饥饿与仇恨,于是他发出一声低吼,呼唤他的独眼兄弟,呼唤他的狡猾小妹。 [点击阅读]
南非洲历险记
作者:佚名
章节:23 人气:2
摘要:南非洲历险记--第一章在奥兰治河边第一章在奥兰治河边1854年2月27日,有两个人躺在奥兰治河边一棵高大的垂柳下,一边闲谈一边全神贯注地观察着河面。这条被荷兰殖民者称作格鲁特河,被土著霍顿督人称作加列普的奥兰治河,可以与非洲大陆的三大动脉:尼罗河、尼日尔河和赞比西河相提并论。像这三大河流一样,它也有自己的高水位、急流和瀑布。 [点击阅读]
堂吉诃德
作者:佚名
章节:134 人气:2
摘要:【一】乍看似乎荒诞不经.实则隐含作者对西班牙现实深刻的理解.作者采用讽刺夸张的艺术手法.把现实与幻想结合起来.表达他对时代的见解.现实主义的描写在中占主导地位.在环境描写方面.与旧骑士小说的装饰性*风景描写截然不同.作者以史诗般的宏伟规模.以农村为主要舞台.出场以平民为主.人数近700多人.在这广阔的社会背景中.绘出一幅幅各具特色*又互相联系的社会画面.作者塑造人物的方法也是虚实结合的. [点击阅读]
天使与魔鬼
作者:丹·布朗
章节:86 人气:2
摘要:清晨五点,哈佛大学的宗教艺术史教授罗伯特.兰登在睡梦中被一阵急促的电话铃声吵醒。电话里的人自称是欧洲原子核研究组织的首领,名叫马克西米利安.科勒,他是在互联网上找到兰登的电话号码的。科勒急欲向他了解一个名为“光照派”的神秘组织。他告诉兰登他们那里刚刚发生了一起谋杀案。他把死者的照片传真给兰登,照片把兰登惊得目瞪口呆。 [点击阅读]
安妮日记英文版
作者:佚名
章节:192 人气:2
摘要:Frank and Mirjam Pressler Translated by Susan MassottyBOOK FLAPAnne Frank's The Diary of a Young Girl is among the most enduring documents of the twentieth century. [点击阅读]
廊桥遗梦
作者:佚名
章节:47 人气:2
摘要:《廊桥遗梦》向我们描述了一段柏拉图式的经典爱情,再现了一段真挚的情感纠葛,是一部社会化和本地化思维很强的力作,《廊桥遗梦》之所以让人震惊,大概是它提出了爱情的本质问题之一——人们对于性爱的态度。 [点击阅读]
悲剧的诞生
作者:佚名
章节:66 人气:2
摘要:2004年3月尼采美学文选//尼采美学文选初版译序:尼采美学概要初版译序:尼采美学概要尼采(1844-1900)是德国著名哲学家、诗人。他在美学上的成就主要不在学理的探讨,而在以美学解决人生的根本问题,提倡一种审美的人生态度。他的美学是一种广义美学,实际上是一种人生哲学。他自己曾谈到,传统的美学只是接受者的美学,而他要建立给予者即艺术家的美学。 [点击阅读]